赫里福德伯爵及其视网膜:十二世纪英格兰的建筑和雕塑赞助人网络,约1130–55年

IF 0.8 1区 艺术学 0 ART
JonathanAndrew Turnock
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引用次数: 0

摘要

赫里福德伯爵格洛斯特的迈尔斯(1141–43)和他的儿子赫里福德公爵罗杰(1143–55)是斯蒂芬国王(1135–54)和他的堂兄玛蒂尔达皇后之间内战的两个主要参与者。此前对伯爵们的评估集中在他们的政治和军事生涯上,尤其是他们对教会的违法行为。一个鲜为人知的事实是,两人都是教会建筑和雕塑的重要赞助人,并负责创建或重建一些教区教堂和小教堂。对这些遗址现存的十二世纪建筑雕塑的分析表明,伯爵们试图开发和传播某些教堂装饰,同时也寻求著名的大教堂和修道院教堂的灵感。伯爵们指挥着一大批规模较小的巨头和世俗领主,其中一些人负责创建或重建自己的教区教堂和领主小教堂。从雕塑证据来看,这些随从成员相互模仿,模仿他们的领主赫里福德伯爵。总之,这些发现为12世纪英国世俗贵族提供了一种另类的文化视角。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
The Earls of Hereford and Their Retinue: A Network of Architectural and Sculptural Patronage in Twelfth-Century England, ca. 1130–55
Miles of Gloucester, earl of Hereford (1141–43), and his son, Roger, earl of Hereford (1143–55), were two of the main participants in the civil war between King Stephen (1135–54) and his cousin, the empress Matilda. Previous assessments of the earls have focused on their political and military careers, and particularly their transgressions against the Church. A lesser known fact is that both men were significant patrons of ecclesiastical architecture and sculpture, and were responsible for founding or rebuilding a number of parish churches and chapels. Analysis of the extant twelfth-century architectural sculpture at these sites suggests that the earls sought to develop and propagate a certain repertoire of church decoration, while also looking to prestigious cathedral and abbey churches for inspiration. The earls commanded a sizable following of lesser magnates and secular lords, some of whom were responsible for founding or rebuilding their own parish churches and seigneurial chapels. Judging from the sculptural evidence, these retinue members emulated one another and their lords, the earls of Hereford. Altogether, these findings present an alternative cultural perspective on secular lordship in twelfth-century England.
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来源期刊
CiteScore
0.50
自引率
25.00%
发文量
8
期刊介绍: The Newsletter, published three times a year, includes notices of ICMA elections and other important votes of the membership, notices of ICMA meetings, conference and exhibition announcements, some employment and fellowship listings, and topical news items related to the discovery, conservation, research, teaching, publication, and exhibition of medieval art and architecture. The movement of some material traditionally included in the newsletter to the ICMA website, such as the Census of Dissertations in Medieval Art, has provided the opportunity for new features in the Newsletter, such as reports on issues of broad concern to our membership.
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