克里斯托托皮亚:基督的空间

Q3 Arts and Humanities
Danilo Dourado Guerra
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引用次数: 0

摘要

在这篇文章中,在对这一现象和特殊性的解释学的驱动下,我提出了一个理论神学框架的构建,该框架能够识别善与恶之间的对立所固有的类别和要素,这些对立是按照创造的事物的顺序存在的,实质上是在人类本体论中。在这条认识论的道路上,通过方法论的选择,我将通过邪恶的组合路线,在其细微差别和领土上的死亡划界中,对抗性地展示构成围绕整个神圣宇宙起源的善的元素和特征。这些元素涉及从伦理和道德评价实践中看到的人类对个人和社会生活中所示的人类信仰范式的积极反应,以及反对其中混乱的空间幽灵的框架。这些价值论对立和宇宙救赎的空间是从基督和他的巴西利亚的(跨)形成存在的表现形式的(内在)本体论领土现象中产生的,通过这种现象,基督神显在其内在的超越中向我们揭示了我所称的基督托皮亚的异位模式,基督的空间。它们是来自外部的神空间,但实质上是来自内部的生物空间。它们是生命和意义的空间,在其中,基督论以一种与死亡和无意义的空间截然相反的方式建立,死亡和无含义的空间贯穿于整个时间和社会的各个领域。根据福柯的异位隐喻,克里斯托托皮亚人关注的是人类的存在,可以被视为进入死亡宇宙的无限海洋的船只。克里斯托托皮亚是没有地方的地方;重新意义和生存的地方;信仰和决定的空间,生命和救赎的空间,与死亡重叠偏离的明显空间,封闭但同时开放,艺术、诗歌和旋律在这个世界的喧嚣中的空间,乌托邦变得可实现、可触摸,耶稣基督的梦想成为可能的真实地方。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
Christotopia: Spaces of Christ
In this article, driven by the hermeneutics of the phenomenon and specialties, I propose the structuring of a theoretical-theological framework capable of identifying the categories and elements inherent to the antagonism between good and evil present in the order of created things, substantially in the human ontology. In this epistemological path, by the methodological option, I will go through the syntagmatic itinerary of evil, in its nuances and territorial thanatopic demarcations to antagonistically demonstrate the elements and traits that constitute the good that orbits the entire divine cosmogenesis. These elements that involve the positive response of humanity seen from the ethical and moral evaluative praxis to the paradigm of human faith shown in the lives of individuals and societies, the framing of the spatial specter of opposition to chaos in the midst of it. These spaces of axiological opposition and cosmic redemption are generated from the (in)carnational ontological-territorial phenomenon of the manifestation of the (trans)forming presence of Christ and his Basileia, through which the Christophanic theophany in its immanent transcendence reveals to us the heterotopic molds what I call Christotopia, the spaces of Christ.They are theotopic spaces from outside, but substantially, biotopic spaces from inside. They are spaces of life and meaning in which christophany is established in a diametrically opposed way to spaces of death and non-meaning which are installed throughout time and society in all its spheres. In the light of Foucault’s heterotopic metaphor, the Christotopias focus on human existence and can be seen as boats launched into the infinite sea of the thanatopic cosmos. The Christotopias are places without a place; places of re-signification and survival; spaces of faith and decision, life and salvation, palpable spaces of overlapping deviation from death, closed, but at the same time open, spaces of art, poetry and melody amidst the noises of this world, real places where utopias become realizable, palpable, and dreams in Jesus Christ become possible.
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来源期刊
Theologica Xaveriana
Theologica Xaveriana Arts and Humanities-Religious Studies
CiteScore
0.40
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