大卫·贝克:爵士乐课程与印第安纳大学民权运动的联系

IF 0.2 0 MUSIC
Shawn L. Royer
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引用次数: 0

摘要

1966年,黑人、受人尊敬的爵士音乐家和作曲家大卫·贝克在印第安纳大学创建并发展了爵士研究项目。这项研究的目的是通过对1949年至1969年间学校课程设置和历史背景的考察,调查David Baker是如何加入该学院并在IU创建爵士乐研究项目的。这一时期记录了爵士乐从一种非正式学习的艺术形式演变为在学术环境中教授的艺术形式,以及爵士乐的重要进化时刻,特别是从bebop和酷爵士乐到硬bop、模态爵士乐和Third Stream的发展。最后,它捕捉到了20世纪50年代和60年代动荡的民权运动,当时国际大学聘请了大卫·贝克,学校决定开始将爵士乐课程纳入课程。本次考试最后讨论了爵士乐和音乐教育的相关影响。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
David Baker: The Nexus of Jazz Curriculum and the Civil Rights Movement at Indiana University
In 1966, David Baker, a Black man and esteemed jazz musician and composer, created and developed the Jazz Studies program at Indiana University (IU). The purpose of this study was to investigate how David Baker came to join the faculty and created the Jazz Studies program at IU through an examination of the school’s course offerings and historical context between the years 1949–1969. This time period captures when jazz was evolving from its roots as an informally learned art form into one that was taught in academic settings, as well as important evolutionary moments in jazz, specifically the transition from bebop and cool jazz through the development of hard bop, modal jazz, and Third Stream. Finally, it captures the tumultuous Civil Rights Movement of the 1950s and 1960s which coincided with IU’s hiring of David Baker and the school’s decision to begin to include jazz courses in its curricular offerings. This examination concludes with a discussion of relevant implications for jazz and music education.
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