{"title":"拉斯科尔尼科夫为什么杀人?从心理历史动机看动机","authors":"N. Meier","doi":"10.31902/fll.39.2021.9","DOIUrl":null,"url":null,"abstract":"This paper shows that the text of the novel Crime and Punishment places plot and characters in the context of a specific historical epoch. The epoch implies a specific psychological structure of the characters. One aspect of this psychological structure is singled out and demonstrated on the basis of its intra-fictional as well as its extra-fictional motivating effect. In this way, the old riddle of why Raskolnikov actually became a murderer is solved.","PeriodicalId":40358,"journal":{"name":"Folia Linguistica et Litteraria","volume":" ","pages":""},"PeriodicalIF":0.1000,"publicationDate":"2021-11-08","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":"0","resultStr":"{\"title\":\"WARUM TÖTETE RASKOL’NIKOV EIGENTLICH? MOTIVIERUNG IM LICHTE EINER PSYCHOHISTORISCHEN MOTIVATION\",\"authors\":\"N. Meier\",\"doi\":\"10.31902/fll.39.2021.9\",\"DOIUrl\":null,\"url\":null,\"abstract\":\"This paper shows that the text of the novel Crime and Punishment places plot and characters in the context of a specific historical epoch. The epoch implies a specific psychological structure of the characters. One aspect of this psychological structure is singled out and demonstrated on the basis of its intra-fictional as well as its extra-fictional motivating effect. In this way, the old riddle of why Raskolnikov actually became a murderer is solved.\",\"PeriodicalId\":40358,\"journal\":{\"name\":\"Folia Linguistica et Litteraria\",\"volume\":\" \",\"pages\":\"\"},\"PeriodicalIF\":0.1000,\"publicationDate\":\"2021-11-08\",\"publicationTypes\":\"Journal Article\",\"fieldsOfStudy\":null,\"isOpenAccess\":false,\"openAccessPdf\":\"\",\"citationCount\":\"0\",\"resultStr\":null,\"platform\":\"Semanticscholar\",\"paperid\":null,\"PeriodicalName\":\"Folia Linguistica et Litteraria\",\"FirstCategoryId\":\"1085\",\"ListUrlMain\":\"https://doi.org/10.31902/fll.39.2021.9\",\"RegionNum\":0,\"RegionCategory\":null,\"ArticlePicture\":[],\"TitleCN\":null,\"AbstractTextCN\":null,\"PMCID\":null,\"EPubDate\":\"\",\"PubModel\":\"\",\"JCR\":\"0\",\"JCRName\":\"HUMANITIES, MULTIDISCIPLINARY\",\"Score\":null,\"Total\":0}","platform":"Semanticscholar","paperid":null,"PeriodicalName":"Folia Linguistica et Litteraria","FirstCategoryId":"1085","ListUrlMain":"https://doi.org/10.31902/fll.39.2021.9","RegionNum":0,"RegionCategory":null,"ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":null,"EPubDate":"","PubModel":"","JCR":"0","JCRName":"HUMANITIES, MULTIDISCIPLINARY","Score":null,"Total":0}
WARUM TÖTETE RASKOL’NIKOV EIGENTLICH? MOTIVIERUNG IM LICHTE EINER PSYCHOHISTORISCHEN MOTIVATION
This paper shows that the text of the novel Crime and Punishment places plot and characters in the context of a specific historical epoch. The epoch implies a specific psychological structure of the characters. One aspect of this psychological structure is singled out and demonstrated on the basis of its intra-fictional as well as its extra-fictional motivating effect. In this way, the old riddle of why Raskolnikov actually became a murderer is solved.