焦尔达诺·布鲁诺在哲学思想史上的地位

Q4 Arts and Humanities
Yannis Fikas
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引用次数: 0

摘要

本文旨在介绍文艺复兴时期的哲学家佐尔达诺·布鲁诺。根据佐丹诺·布鲁诺的说法,一个人由身体(躯体)、灵魂(心理)和精神(理性)三部分组成。布鲁诺关于灵魂与心灵(理性)和身体协调的哲学理论主要关注通过想象力和记忆的发展来塑造心理世界。布鲁诺的作品涉及“记忆艺术”,它将智慧弟子的意识从世俗提升并逐渐延伸到星空的延伸边界。布鲁诺支持,通过想象力处理思想图像的人类可以接近神圣心灵中的原型思想,然后在不扭曲物质世界的情况下将其具体化。这些图像构成了灵魂的最佳指南,因为它们提升了意识,促进了意识进入和进入普遍智慧中的原型思想。当这些图像使光线变暗时,它们使仍然笼罩在迷雾中的灵魂的眼睛准备好逐渐面对同样的想法。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
GIORDANO BRUNO, HIS PLACE IN THE HISTORY OF PHILOSOPHY AND IDEAS
The aim of this paper is to present the Renaissance philosopher Giordano Bruno. According to Giordano Bruno, a human being is threefold composed of a body (soma), soul (psyche) and spirit (nous). Bruno’s philosophical theory on the harmonization of the soul with the mind (nous) and the body focuses mainly on the shaping of the psychological world through the development of imagination and memory. Bruno’s works deal with the “Art of Memory”, which elevates and gradually extends the consciousness of the disciple of wisdom from the earthly world to the extending boundaries of the starry sky. Bruno supports that humans who process the images of ideas through their imagination can approach the same archetypical ideas found within the divine mind and then embody them without distortions to the material world. These images constitute the best guides to the soul, because they elevate consciousness and facilitate its entry and access to the archetypical ideas found in the universal intellect. As these images dim the light, they prepare the eyes of the soul which are still wrapped in fog to gradually face the very same ideas.
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来源期刊
Journal of Philosophy ARHE
Journal of Philosophy ARHE Arts and Humanities-Philosophy
CiteScore
0.10
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44
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