Mahila1 - la模式:阿姨合身的croqui

IF 0.3 0 HUMANITIES, MULTIDISCIPLINARY
Arti Sandhu
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引用次数: 0

摘要

风格化的时尚人物或croqui是时装设计过程的基础。它被高度视为设计表达和创新的工具,也是一种非常受欢迎的创意艺术形式,最近在社交媒体平台上得到了复兴。全球大多数时尚机构都将插画作为基础技能进行教学。学生们吸收了一套严格的规则,这些规则是由十个头和身体的比例决定的。本文探讨了风格化克罗地亚语的殖民含义。这些绘画通过选择性地放弃和玩弄时尚插图的规则来挑战这一流派,以使这种设计工具非殖民化。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
Mahila1 à la mode: The auntie-fit croqui
The stylized fashion figure or croqui is fundamental to the fashion design process. Highly regarded as a tool for design articulation and innovation, it is also an immensely popular creative art form, enjoying a recent renaissance on social media platforms. Most fashion institutions across the globe teach illustration as a foundation-level skill. Students absorb a strict set of rules dictated by the ten-head body proportion. This article explores the colonial implications of the stylized croqui. The drawings challenge the genre by selectively abandoning and playing with the rules of fashion illustration in order to decolonize this design tool.
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来源期刊
International Journal of Fashion Studies
International Journal of Fashion Studies HUMANITIES, MULTIDISCIPLINARY-
CiteScore
0.90
自引率
25.00%
发文量
25
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