玩把戏,得到王后:古代朝鲜的“神把戏”(及以后)

IF 0.4 4区 社会学 0 ASIAN STUDIES
M. Riotto
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引用次数: 0

摘要

摘要:韩国古代文学中的骗子问题尚未在科学背景下进行广泛的比较研究。本文运用结构主义的方法,探讨了古代朝鲜和西方故事中“神鬼”的人类学主题。特别是,本文通过考察韩国民间传说中的三个著名情节和西方奇幻文学中的三起案例,探讨了以外国高级女性为代表的女性元素获取策略。文章从史前社会的狩猎心态开始,在那里,人类试图用智慧战胜猎物,回顾了不同人类学背景(印欧社会、近东闪族社会和古朝鲜社会)的文学事件,强调了它们的异同,但总是强调和强调一个神圣的骗子的存在。最终,再加上各个社会逐渐男性化的共同点,我们注意到女性在韩国故事中扮演着更被动的角色,这些故事似乎比西方故事更为现代,因此似乎更受父权取向的文化模式的启发。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
Play a Trick and Get a Queen: “Divine Tricksters” in Ancient Korea (and Beyond)
Abstract:The issue of trickster in old Korean literature has yet to be discussed in a broadly comparative way in a scientific context. Using a structuralist approach, this article addresses the anthropological theme of the “divine trickster” in some stories from ancient Korea and the ancient West. In particular, by examining three famous episodes from Korean folklore alongside three cases from Western fantastic literature, this article investigates the strategies aimed at acquiring the feminine element as represented by high-ranking foreign women. Starting with the hunting mentality of prehistoric society, where man tries to prevail with intelligence over his prey, the article reviews literary episodes from different anthropological contexts (Indo-European societies, Semitic societies of the Near East, and ancient Korean society), underlining their similarities and differences, but always highlighting and emphasizing the presence of a divine trickster. Ultimately, together with the common denominator of the progressive masculinization of the various societies, we note a more passive role of women in the Korean stories, which appear to be of more recent codification than their Western counterparts, and therefore seem more inspired by cultural patterns of patriarchal orientation.
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来源期刊
CiteScore
0.20
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发文量
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