{"title":"Sakurai Ami的肿瘤没有未来ōzu songu：性别与身体、过去与现在","authors":"D. Holloway","doi":"10.5195/JLL.2020.91","DOIUrl":null,"url":null,"abstract":"This paper analyzes Sakurai Ami’s novel Tomorrow’s Song (1999). The novel is unusual in Japanese literature for its attention to HIV, which even today remains little acknowledged in social discourse. My interest is in the ways in which Sakurai figures the virus vis-a-vis protagonist Akari’s singular devotion to counter-hegemonic ways of living, including drug use, unprotected sex, and alcoholism. My argument is that Sakurai uses HIV to advance a subtle petition for conformity.","PeriodicalId":52809,"journal":{"name":"Japanese Language and Literature","volume":null,"pages":null},"PeriodicalIF":0.0000,"publicationDate":"2020-09-25","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":"0","resultStr":"{\"title\":\"No Future in Sakurai Ami’s Tumorōzu songu: Gender and Body, Past and Present\",\"authors\":\"D. Holloway\",\"doi\":\"10.5195/JLL.2020.91\",\"DOIUrl\":null,\"url\":null,\"abstract\":\"This paper analyzes Sakurai Ami’s novel Tomorrow’s Song (1999). The novel is unusual in Japanese literature for its attention to HIV, which even today remains little acknowledged in social discourse. My interest is in the ways in which Sakurai figures the virus vis-a-vis protagonist Akari’s singular devotion to counter-hegemonic ways of living, including drug use, unprotected sex, and alcoholism. My argument is that Sakurai uses HIV to advance a subtle petition for conformity.\",\"PeriodicalId\":52809,\"journal\":{\"name\":\"Japanese Language and Literature\",\"volume\":null,\"pages\":null},\"PeriodicalIF\":0.0000,\"publicationDate\":\"2020-09-25\",\"publicationTypes\":\"Journal Article\",\"fieldsOfStudy\":null,\"isOpenAccess\":false,\"openAccessPdf\":\"\",\"citationCount\":\"0\",\"resultStr\":null,\"platform\":\"Semanticscholar\",\"paperid\":null,\"PeriodicalName\":\"Japanese Language and Literature\",\"FirstCategoryId\":\"1085\",\"ListUrlMain\":\"https://doi.org/10.5195/JLL.2020.91\",\"RegionNum\":0,\"RegionCategory\":null,\"ArticlePicture\":[],\"TitleCN\":null,\"AbstractTextCN\":null,\"PMCID\":null,\"EPubDate\":\"\",\"PubModel\":\"\",\"JCR\":\"\",\"JCRName\":\"\",\"Score\":null,\"Total\":0}","platform":"Semanticscholar","paperid":null,"PeriodicalName":"Japanese Language and Literature","FirstCategoryId":"1085","ListUrlMain":"https://doi.org/10.5195/JLL.2020.91","RegionNum":0,"RegionCategory":null,"ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":null,"EPubDate":"","PubModel":"","JCR":"","JCRName":"","Score":null,"Total":0}
No Future in Sakurai Ami’s Tumorōzu songu: Gender and Body, Past and Present
This paper analyzes Sakurai Ami’s novel Tomorrow’s Song (1999). The novel is unusual in Japanese literature for its attention to HIV, which even today remains little acknowledged in social discourse. My interest is in the ways in which Sakurai figures the virus vis-a-vis protagonist Akari’s singular devotion to counter-hegemonic ways of living, including drug use, unprotected sex, and alcoholism. My argument is that Sakurai uses HIV to advance a subtle petition for conformity.
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