{"title":"“画派莎士比亚”的风格——黑泽明作品中的“自闭症”理论","authors":"Shindy Lan","doi":"10.30564/RET.V1I4.340","DOIUrl":null,"url":null,"abstract":"By investigating the cinematography and thematic concerns of Akira Kurosawa’s work under the auteurist criteria, it can be argued that Kurosawa is an auteur whose work possesses three distinctive authorial signatures: the active involvement of nature, the strong sense of stage-performance, the editing on movement; and the consistent visual style has corresponding meaning concerning his personal experience and socio-historical circumstances.","PeriodicalId":69138,"journal":{"name":"教育理论综述(英文)","volume":" ","pages":""},"PeriodicalIF":0.0000,"publicationDate":"2018-12-04","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":"0","resultStr":"{\"title\":\"Style of “the Pictorial Shakespeare”—— Auteur Theory Applying to Akira Kurosawa’s Work\",\"authors\":\"Shindy Lan\",\"doi\":\"10.30564/RET.V1I4.340\",\"DOIUrl\":null,\"url\":null,\"abstract\":\"By investigating the cinematography and thematic concerns of Akira Kurosawa’s work under the auteurist criteria, it can be argued that Kurosawa is an auteur whose work possesses three distinctive authorial signatures: the active involvement of nature, the strong sense of stage-performance, the editing on movement; and the consistent visual style has corresponding meaning concerning his personal experience and socio-historical circumstances.\",\"PeriodicalId\":69138,\"journal\":{\"name\":\"教育理论综述(英文)\",\"volume\":\" \",\"pages\":\"\"},\"PeriodicalIF\":0.0000,\"publicationDate\":\"2018-12-04\",\"publicationTypes\":\"Journal Article\",\"fieldsOfStudy\":null,\"isOpenAccess\":false,\"openAccessPdf\":\"\",\"citationCount\":\"0\",\"resultStr\":null,\"platform\":\"Semanticscholar\",\"paperid\":null,\"PeriodicalName\":\"教育理论综述(英文)\",\"FirstCategoryId\":\"95\",\"ListUrlMain\":\"https://doi.org/10.30564/RET.V1I4.340\",\"RegionNum\":0,\"RegionCategory\":null,\"ArticlePicture\":[],\"TitleCN\":null,\"AbstractTextCN\":null,\"PMCID\":null,\"EPubDate\":\"\",\"PubModel\":\"\",\"JCR\":\"\",\"JCRName\":\"\",\"Score\":null,\"Total\":0}","platform":"Semanticscholar","paperid":null,"PeriodicalName":"教育理论综述(英文)","FirstCategoryId":"95","ListUrlMain":"https://doi.org/10.30564/RET.V1I4.340","RegionNum":0,"RegionCategory":null,"ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":null,"EPubDate":"","PubModel":"","JCR":"","JCRName":"","Score":null,"Total":0}
Style of “the Pictorial Shakespeare”—— Auteur Theory Applying to Akira Kurosawa’s Work
By investigating the cinematography and thematic concerns of Akira Kurosawa’s work under the auteurist criteria, it can be argued that Kurosawa is an auteur whose work possesses three distinctive authorial signatures: the active involvement of nature, the strong sense of stage-performance, the editing on movement; and the consistent visual style has corresponding meaning concerning his personal experience and socio-historical circumstances.
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