{"title":"伊势传统与伊势漫画","authors":"J. Mostow","doi":"10.5195/JLL.2021.154","DOIUrl":null,"url":null,"abstract":"The Ise monogatari (The Ise Stories, aka Tales of Ise, tenth cen.) is the oldest continuously illustrated secular narrative in Japanese history. The present article explores to what extent, and how, contemporary manga artists engage with or use this rich visual tradition, examining three examples, in the seinen (young male-oriented), shōjo (young female-oriented), and gyagu (gag) genres, yet all arguably categorizable as gakushū, or educational, manga. Perhaps surprisingly, only the gag manga artist, Kurogane Hiroshi, takes advantage of the Ise’s long visual history, and the author of the article concludes by drawing parallels with the early modern artistic practice of mitate-e, or visual parody.","PeriodicalId":52809,"journal":{"name":"Japanese Language and Literature","volume":null,"pages":null},"PeriodicalIF":0.0000,"publicationDate":"2021-04-21","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":"0","resultStr":"{\"title\":\"The Ise-e Tradition and Ise Manga\",\"authors\":\"J. Mostow\",\"doi\":\"10.5195/JLL.2021.154\",\"DOIUrl\":null,\"url\":null,\"abstract\":\"The Ise monogatari (The Ise Stories, aka Tales of Ise, tenth cen.) is the oldest continuously illustrated secular narrative in Japanese history. The present article explores to what extent, and how, contemporary manga artists engage with or use this rich visual tradition, examining three examples, in the seinen (young male-oriented), shōjo (young female-oriented), and gyagu (gag) genres, yet all arguably categorizable as gakushū, or educational, manga. Perhaps surprisingly, only the gag manga artist, Kurogane Hiroshi, takes advantage of the Ise’s long visual history, and the author of the article concludes by drawing parallels with the early modern artistic practice of mitate-e, or visual parody.\",\"PeriodicalId\":52809,\"journal\":{\"name\":\"Japanese Language and Literature\",\"volume\":null,\"pages\":null},\"PeriodicalIF\":0.0000,\"publicationDate\":\"2021-04-21\",\"publicationTypes\":\"Journal Article\",\"fieldsOfStudy\":null,\"isOpenAccess\":false,\"openAccessPdf\":\"\",\"citationCount\":\"0\",\"resultStr\":null,\"platform\":\"Semanticscholar\",\"paperid\":null,\"PeriodicalName\":\"Japanese Language and Literature\",\"FirstCategoryId\":\"1085\",\"ListUrlMain\":\"https://doi.org/10.5195/JLL.2021.154\",\"RegionNum\":0,\"RegionCategory\":null,\"ArticlePicture\":[],\"TitleCN\":null,\"AbstractTextCN\":null,\"PMCID\":null,\"EPubDate\":\"\",\"PubModel\":\"\",\"JCR\":\"\",\"JCRName\":\"\",\"Score\":null,\"Total\":0}","platform":"Semanticscholar","paperid":null,"PeriodicalName":"Japanese Language and Literature","FirstCategoryId":"1085","ListUrlMain":"https://doi.org/10.5195/JLL.2021.154","RegionNum":0,"RegionCategory":null,"ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":null,"EPubDate":"","PubModel":"","JCR":"","JCRName":"","Score":null,"Total":0}
引用次数: 0
摘要
《伊势故事集》(The Ise Stories,又名《伊势物语》,十世纪)是日本历史上最古老的连续插图世俗叙事。本文探讨了当代漫画艺术家在多大程度上以及如何参与或使用这种丰富的视觉传统,考察了三个例子,分别是seinen(年轻男性导向)、shōjo(年轻女性导向)和gyagu(插科打诨)类型,但都可以被归类为gakushā或教育漫画。也许令人惊讶的是,只有插科打诨的漫画艺术家黑根浩(Kurogane Hiroshi)利用了Ise悠久的视觉历史,文章作者最后将其与早期现代艺术实践mitate-e(视觉模仿)相提并论。
The Ise monogatari (The Ise Stories, aka Tales of Ise, tenth cen.) is the oldest continuously illustrated secular narrative in Japanese history. The present article explores to what extent, and how, contemporary manga artists engage with or use this rich visual tradition, examining three examples, in the seinen (young male-oriented), shōjo (young female-oriented), and gyagu (gag) genres, yet all arguably categorizable as gakushū, or educational, manga. Perhaps surprisingly, only the gag manga artist, Kurogane Hiroshi, takes advantage of the Ise’s long visual history, and the author of the article concludes by drawing parallels with the early modern artistic practice of mitate-e, or visual parody.