灾难准备的想象与认识论:以日本核安全事故为例

IF 2 2区 社会学 0 LITERATURE
Hiro Saito
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引用次数: 1

摘要

福岛核灾难是一场深刻的人为灾难,是核应急准备的组织失灵造成的。为了充分理解这场灾难的原因,我建议将灾难的组织视角扩展到灾难准备的宏观制度视角。为此,我从科学技术研究中借用“社会技术想象”和“公民认识论”的概念来探索灾难准备的最深层意义构成。然后,我将这些概念应用于战后日本的核能历史,这一历史以追求工业转型的发展国家为中心。具体来说,我说明了“和平主义想象”如何强调“和平利用核能”的积极贡献,将促进核能作为经济发展的手段先验地合法化;以及“技术官僚认识论”如何援引国家官僚和专家顾问的卓越能力,使他们事后无视严重事故的可能性合法化。因此,想象和认识论使发展中国家能够通过获得大多数公民的默许和诋毁少数反核活动家来追求亲核政策——直到2011年3月的地震和海啸暴露了准备工作的失败。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
The imaginary and epistemology of disaster preparedness: The case of Japan's nuclear safety failure

The Fukushima nuclear disaster was profoundly a man-made one, resulting from the organizational failure of nuclear emergency preparedness. To fully understand the cause of this disaster, I propose to extend an organizational perspective on disasters into a macro-institutional perspective on disaster preparedness. To this end, I borrow from science and technology studies the concepts of "sociotechnical imaginary" and "civic epistemology" to probe the deepest layers of meaning-making constitutive of disaster preparedness. I then apply these concepts to the history of nuclear energy in postwar Japan that was centered on the developmental state pursuing industrial transformation. Specifically, I illustrate how the "pacifist imaginary" emphasized positive contributions of "the peaceful use of nuclear energy," legitimating a priori the promotion of nuclear power as a means of economic development; and how the "technocratic epistemology" invoked the superior competencies of state bureaucrats and expert advisers, legitimating post hoc their disregard for the possibility of a severe accident. The imaginary and epistemology thus enabled the developmental state to pursue pro-nuclear policy by securing acquiescence from the majority of citizens and discrediting the minority of antinuclear activists – until the earthquake and tsunami exposed the preparedness failure in March 2011.

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来源期刊
Poetics
Poetics Multiple-
CiteScore
4.00
自引率
16.00%
发文量
77
期刊介绍: Poetics is an interdisciplinary journal of theoretical and empirical research on culture, the media and the arts. Particularly welcome are papers that make an original contribution to the major disciplines - sociology, psychology, media and communication studies, and economics - within which promising lines of research on culture, media and the arts have been developed.
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