{"title":"参考框架:摩洛哥的布料、社区和知识意识形态","authors":"Claire Nicholas","doi":"10.1111/muan.12241","DOIUrl":null,"url":null,"abstract":"<div>\n \n <p>This paper explores how one type of traditional Moroccan cloth comes to be known through different epistemological frameworks or “knowledge ideologies.” The case in question involves a rural women’s weaving cooperative and Moroccan state strategies to rationalize cloth production, which here takes the form of technical training and product development workshops. A struggle over the right to determine the present and future of cloth-making manifests in part as differing perspectives among weavers and government officials about legitimate quality assessment criteria and methods, and the appropriate color of the local cloth. At the center of these competing ways to evaluate or define traditional cloth is the question of authority: who has the right to assess quality and what aspects of their identity should factor into this right? The case of traditional weaving in Morocco underscores how “knowing” and “knowing what’s best” are thoroughly entangled in the domain of cultural heritage and its management.</p>\n </div>","PeriodicalId":43404,"journal":{"name":"Museum Anthropology","volume":null,"pages":null},"PeriodicalIF":0.7000,"publicationDate":"2021-12-10","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":"2","resultStr":"{\"title\":\"FRAMES OF REFERENCE: Cloth, Community, and Knowledge Ideology in Morocco\",\"authors\":\"Claire Nicholas\",\"doi\":\"10.1111/muan.12241\",\"DOIUrl\":null,\"url\":null,\"abstract\":\"<div>\\n \\n <p>This paper explores how one type of traditional Moroccan cloth comes to be known through different epistemological frameworks or “knowledge ideologies.” The case in question involves a rural women’s weaving cooperative and Moroccan state strategies to rationalize cloth production, which here takes the form of technical training and product development workshops. A struggle over the right to determine the present and future of cloth-making manifests in part as differing perspectives among weavers and government officials about legitimate quality assessment criteria and methods, and the appropriate color of the local cloth. At the center of these competing ways to evaluate or define traditional cloth is the question of authority: who has the right to assess quality and what aspects of their identity should factor into this right? The case of traditional weaving in Morocco underscores how “knowing” and “knowing what’s best” are thoroughly entangled in the domain of cultural heritage and its management.</p>\\n </div>\",\"PeriodicalId\":43404,\"journal\":{\"name\":\"Museum Anthropology\",\"volume\":null,\"pages\":null},\"PeriodicalIF\":0.7000,\"publicationDate\":\"2021-12-10\",\"publicationTypes\":\"Journal Article\",\"fieldsOfStudy\":null,\"isOpenAccess\":false,\"openAccessPdf\":\"\",\"citationCount\":\"2\",\"resultStr\":null,\"platform\":\"Semanticscholar\",\"paperid\":null,\"PeriodicalName\":\"Museum Anthropology\",\"FirstCategoryId\":\"1085\",\"ListUrlMain\":\"https://onlinelibrary.wiley.com/doi/10.1111/muan.12241\",\"RegionNum\":0,\"RegionCategory\":null,\"ArticlePicture\":[],\"TitleCN\":null,\"AbstractTextCN\":null,\"PMCID\":null,\"EPubDate\":\"\",\"PubModel\":\"\",\"JCR\":\"Q3\",\"JCRName\":\"ANTHROPOLOGY\",\"Score\":null,\"Total\":0}","platform":"Semanticscholar","paperid":null,"PeriodicalName":"Museum Anthropology","FirstCategoryId":"1085","ListUrlMain":"https://onlinelibrary.wiley.com/doi/10.1111/muan.12241","RegionNum":0,"RegionCategory":null,"ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":null,"EPubDate":"","PubModel":"","JCR":"Q3","JCRName":"ANTHROPOLOGY","Score":null,"Total":0}
FRAMES OF REFERENCE: Cloth, Community, and Knowledge Ideology in Morocco
This paper explores how one type of traditional Moroccan cloth comes to be known through different epistemological frameworks or “knowledge ideologies.” The case in question involves a rural women’s weaving cooperative and Moroccan state strategies to rationalize cloth production, which here takes the form of technical training and product development workshops. A struggle over the right to determine the present and future of cloth-making manifests in part as differing perspectives among weavers and government officials about legitimate quality assessment criteria and methods, and the appropriate color of the local cloth. At the center of these competing ways to evaluate or define traditional cloth is the question of authority: who has the right to assess quality and what aspects of their identity should factor into this right? The case of traditional weaving in Morocco underscores how “knowing” and “knowing what’s best” are thoroughly entangled in the domain of cultural heritage and its management.
期刊介绍:
Museum Anthropology seeks to be a leading voice for scholarly research on the collection, interpretation, and representation of the material world. Through critical articles, provocative commentaries, and thoughtful reviews, this peer-reviewed journal aspires to cultivate vibrant dialogues that reflect the global and transdisciplinary work of museums. Situated at the intersection of practice and theory, Museum Anthropology advances our knowledge of the ways in which material objects are intertwined with living histories of cultural display, economics, socio-politics, law, memory, ethics, colonialism, conservation, and public education.