与温特图尔图书馆馆长谈卡特斯比的自然史

IF 0.1 0 ART
Rebecca Parmer
{"title":"与温特图尔图书馆馆长谈卡特斯比的自然史","authors":"Rebecca Parmer","doi":"10.1086/725138","DOIUrl":null,"url":null,"abstract":"1 In the Winterthur Library, see QH41 C35 PF–Mark Catesby, The Natural History of Carolina, Florida and the Bahama Islands (London: printed at the expense of the author, 1731–42). All textual and plate references to the Natural History in this essay refer to the Winterthur Library’s first edition set, Winterthur, DE (hereafter Winterthur Library). WINTERTHURLIBRARY director Rebecca Parmer sat down with Catharine Dann Roeber to chat about Winterthur’s copy of theNatural History and its role in an academic research library context. Parmer shares her perspective on a collections-centric approach to the Natural History, considering its history as both collectible object and informational source, the potential it holds for inspiring new lines of interdisciplinary inquiry, and the role of collecting institutions in engaging the complex pasts of their holdings. Winterthur’s library is a leading independent research facility with world-class holdings. How do these volumes of Mark Catesby’s work fit into a collection thatmany assume focuses only on decorative arts? That’s a great question—and a familiar one! Situated as we are within the larger context of the Winterthur Museum, Garden & Library, we sometimes encounter the (very reasonable) assumption that the library collections’ primary aim is to support the study of the museum’s object collection, which focuses on decorative arts used and made inAmerica. There is some truth to that assumption, as the library’s collections of primary resources and secondary scholarship bring important context and insight to the museum object collections and to the study of American decorative arts broadly. But over time, the library’s collections have grown and expanded in scope to document, engage, and support the interdisciplinary study of more than four centuries of American artistic, cultural, social, and intellectual history and development in a global context. To understand the place of Catesby and his Natural History in these holdings requires a little knowledge of Winterthur Library history and how","PeriodicalId":43437,"journal":{"name":"WINTERTHUR PORTFOLIO-A JOURNAL OF AMERICAN MATERIAL CULTURE","volume":"56 1","pages":"203 - 214"},"PeriodicalIF":0.1000,"publicationDate":"2022-12-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":"0","resultStr":"{\"title\":\"A Conversation about Catesby’s Natural History with the Winterthur Library Director\",\"authors\":\"Rebecca Parmer\",\"doi\":\"10.1086/725138\",\"DOIUrl\":null,\"url\":null,\"abstract\":\"1 In the Winterthur Library, see QH41 C35 PF–Mark Catesby, The Natural History of Carolina, Florida and the Bahama Islands (London: printed at the expense of the author, 1731–42). All textual and plate references to the Natural History in this essay refer to the Winterthur Library’s first edition set, Winterthur, DE (hereafter Winterthur Library). WINTERTHURLIBRARY director Rebecca Parmer sat down with Catharine Dann Roeber to chat about Winterthur’s copy of theNatural History and its role in an academic research library context. Parmer shares her perspective on a collections-centric approach to the Natural History, considering its history as both collectible object and informational source, the potential it holds for inspiring new lines of interdisciplinary inquiry, and the role of collecting institutions in engaging the complex pasts of their holdings. Winterthur’s library is a leading independent research facility with world-class holdings. How do these volumes of Mark Catesby’s work fit into a collection thatmany assume focuses only on decorative arts? That’s a great question—and a familiar one! Situated as we are within the larger context of the Winterthur Museum, Garden & Library, we sometimes encounter the (very reasonable) assumption that the library collections’ primary aim is to support the study of the museum’s object collection, which focuses on decorative arts used and made inAmerica. There is some truth to that assumption, as the library’s collections of primary resources and secondary scholarship bring important context and insight to the museum object collections and to the study of American decorative arts broadly. But over time, the library’s collections have grown and expanded in scope to document, engage, and support the interdisciplinary study of more than four centuries of American artistic, cultural, social, and intellectual history and development in a global context. To understand the place of Catesby and his Natural History in these holdings requires a little knowledge of Winterthur Library history and how\",\"PeriodicalId\":43437,\"journal\":{\"name\":\"WINTERTHUR PORTFOLIO-A JOURNAL OF AMERICAN MATERIAL CULTURE\",\"volume\":\"56 1\",\"pages\":\"203 - 214\"},\"PeriodicalIF\":0.1000,\"publicationDate\":\"2022-12-01\",\"publicationTypes\":\"Journal Article\",\"fieldsOfStudy\":null,\"isOpenAccess\":false,\"openAccessPdf\":\"\",\"citationCount\":\"0\",\"resultStr\":null,\"platform\":\"Semanticscholar\",\"paperid\":null,\"PeriodicalName\":\"WINTERTHUR PORTFOLIO-A JOURNAL OF AMERICAN MATERIAL CULTURE\",\"FirstCategoryId\":\"1085\",\"ListUrlMain\":\"https://doi.org/10.1086/725138\",\"RegionNum\":0,\"RegionCategory\":null,\"ArticlePicture\":[],\"TitleCN\":null,\"AbstractTextCN\":null,\"PMCID\":null,\"EPubDate\":\"\",\"PubModel\":\"\",\"JCR\":\"0\",\"JCRName\":\"ART\",\"Score\":null,\"Total\":0}","platform":"Semanticscholar","paperid":null,"PeriodicalName":"WINTERTHUR PORTFOLIO-A JOURNAL OF AMERICAN MATERIAL CULTURE","FirstCategoryId":"1085","ListUrlMain":"https://doi.org/10.1086/725138","RegionNum":0,"RegionCategory":null,"ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":null,"EPubDate":"","PubModel":"","JCR":"0","JCRName":"ART","Score":null,"Total":0}
引用次数: 0

摘要

1在Winterthur图书馆,见QH41 C35 PF–Mark Catesby,《卡罗莱纳州、佛罗里达州和巴哈马群岛的自然历史》(伦敦:作者自费印刷,1731–42)。本文中对《自然史》的所有文本和图版参考都是指温特图尔图书馆的第一版《温特图尔,DE》(以下简称温特图尔文库)。温特图尔图书馆馆长Rebecca Parmer与Catharine Dann Roeber坐下来谈论温特图尔的《自然史》及其在学术研究图书馆中的作用。Parmer分享了她对以收藏为中心的自然史方法的看法,认为自然史既是收藏对象又是信息来源,它具有激发跨学科研究新思路的潜力,以及收藏机构在参与其收藏的复杂过去中的作用。温特图尔的图书馆是一个领先的独立研究机构,拥有世界级的藏品。马克·卡特斯比的这些作品是如何融入一个许多人认为只关注装饰艺术的收藏的?这是一个很棒的问题,也是一个熟悉的问题!由于我们位于温特图尔博物馆、花园和图书馆的大背景下,我们有时会遇到(非常合理的)假设,即图书馆藏品的主要目的是支持对博物馆实物收藏的研究,该收藏侧重于美国使用和制造的装饰艺术。这一假设是有道理的,因为图书馆收藏的主要资源和次要学术成果为博物馆藏品和美国装饰艺术的广泛研究带来了重要的背景和见解。但随着时间的推移,图书馆的收藏范围不断扩大,以记录、参与和支持四个多世纪以来美国艺术、文化、社会和知识史以及全球背景下的发展的跨学科研究。要了解Catesby和他的自然史在这些藏品中的地位,需要对Winterthur图书馆的历史以及如何了解
本文章由计算机程序翻译,如有差异,请以英文原文为准。
A Conversation about Catesby’s Natural History with the Winterthur Library Director
1 In the Winterthur Library, see QH41 C35 PF–Mark Catesby, The Natural History of Carolina, Florida and the Bahama Islands (London: printed at the expense of the author, 1731–42). All textual and plate references to the Natural History in this essay refer to the Winterthur Library’s first edition set, Winterthur, DE (hereafter Winterthur Library). WINTERTHURLIBRARY director Rebecca Parmer sat down with Catharine Dann Roeber to chat about Winterthur’s copy of theNatural History and its role in an academic research library context. Parmer shares her perspective on a collections-centric approach to the Natural History, considering its history as both collectible object and informational source, the potential it holds for inspiring new lines of interdisciplinary inquiry, and the role of collecting institutions in engaging the complex pasts of their holdings. Winterthur’s library is a leading independent research facility with world-class holdings. How do these volumes of Mark Catesby’s work fit into a collection thatmany assume focuses only on decorative arts? That’s a great question—and a familiar one! Situated as we are within the larger context of the Winterthur Museum, Garden & Library, we sometimes encounter the (very reasonable) assumption that the library collections’ primary aim is to support the study of the museum’s object collection, which focuses on decorative arts used and made inAmerica. There is some truth to that assumption, as the library’s collections of primary resources and secondary scholarship bring important context and insight to the museum object collections and to the study of American decorative arts broadly. But over time, the library’s collections have grown and expanded in scope to document, engage, and support the interdisciplinary study of more than four centuries of American artistic, cultural, social, and intellectual history and development in a global context. To understand the place of Catesby and his Natural History in these holdings requires a little knowledge of Winterthur Library history and how
求助全文
通过发布文献求助,成功后即可免费获取论文全文。 去求助
来源期刊
CiteScore
0.10
自引率
0.00%
发文量
0
×
引用
GB/T 7714-2015
复制
MLA
复制
APA
复制
导出至
BibTeX EndNote RefMan NoteFirst NoteExpress
×
提示
您的信息不完整,为了账户安全,请先补充。
现在去补充
×
提示
您因"违规操作"
具体请查看互助需知
我知道了
×
提示
确定
请完成安全验证×
copy
已复制链接
快去分享给好友吧!
我知道了
右上角分享
点击右上角分享
0
联系我们:info@booksci.cn Book学术提供免费学术资源搜索服务,方便国内外学者检索中英文文献。致力于提供最便捷和优质的服务体验。 Copyright © 2023 布克学术 All rights reserved.
京ICP备2023020795号-1
ghs 京公网安备 11010802042870号
Book学术文献互助
Book学术文献互助群
群 号:604180095
Book学术官方微信