{"title":"赞颂的神话:易卜生在中国早期接受的再思考","authors":"Liyang Xia","doi":"10.1080/15021866.2018.1550868","DOIUrl":null,"url":null,"abstract":"There is a consensus among Ibsen scholars and scholars of Chinese spoken drama that the Spring Willow Society staged A Doll’s House in Shanghai in 1914 (e.g. Qian [1956] 1981; Ge 1982; Eide 1983; T...","PeriodicalId":41285,"journal":{"name":"Ibsen Studies","volume":"18 1","pages":"141 - 168"},"PeriodicalIF":0.6000,"publicationDate":"2018-07-03","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"https://sci-hub-pdf.com/10.1080/15021866.2018.1550868","citationCount":"2","resultStr":"{\"title\":\"A Myth That Glorifies: Rethinking Ibsen’s Early Reception in China\",\"authors\":\"Liyang Xia\",\"doi\":\"10.1080/15021866.2018.1550868\",\"DOIUrl\":null,\"url\":null,\"abstract\":\"There is a consensus among Ibsen scholars and scholars of Chinese spoken drama that the Spring Willow Society staged A Doll’s House in Shanghai in 1914 (e.g. Qian [1956] 1981; Ge 1982; Eide 1983; T...\",\"PeriodicalId\":41285,\"journal\":{\"name\":\"Ibsen Studies\",\"volume\":\"18 1\",\"pages\":\"141 - 168\"},\"PeriodicalIF\":0.6000,\"publicationDate\":\"2018-07-03\",\"publicationTypes\":\"Journal Article\",\"fieldsOfStudy\":null,\"isOpenAccess\":false,\"openAccessPdf\":\"https://sci-hub-pdf.com/10.1080/15021866.2018.1550868\",\"citationCount\":\"2\",\"resultStr\":null,\"platform\":\"Semanticscholar\",\"paperid\":null,\"PeriodicalName\":\"Ibsen Studies\",\"FirstCategoryId\":\"1085\",\"ListUrlMain\":\"https://doi.org/10.1080/15021866.2018.1550868\",\"RegionNum\":0,\"RegionCategory\":null,\"ArticlePicture\":[],\"TitleCN\":null,\"AbstractTextCN\":null,\"PMCID\":null,\"EPubDate\":\"\",\"PubModel\":\"\",\"JCR\":\"0\",\"JCRName\":\"THEATER\",\"Score\":null,\"Total\":0}","platform":"Semanticscholar","paperid":null,"PeriodicalName":"Ibsen Studies","FirstCategoryId":"1085","ListUrlMain":"https://doi.org/10.1080/15021866.2018.1550868","RegionNum":0,"RegionCategory":null,"ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":null,"EPubDate":"","PubModel":"","JCR":"0","JCRName":"THEATER","Score":null,"Total":0}
A Myth That Glorifies: Rethinking Ibsen’s Early Reception in China
There is a consensus among Ibsen scholars and scholars of Chinese spoken drama that the Spring Willow Society staged A Doll’s House in Shanghai in 1914 (e.g. Qian [1956] 1981; Ge 1982; Eide 1983; T...