{"title":"“必要的思考”","authors":"Lauren Adams, J. Patterson","doi":"10.1353/scu.2022.0031","DOIUrl":null,"url":null,"abstract":"Abstract:In this interview, artists Jason Patterson and Lauren Frances Adams discuss the history of white supremacy in America and how it shapes their own experiences and artistic subject matter. Patterson is an artist whose work consists of portraiture and the recreation of historical documents. He also designs and builds ornate wood frames that house his portraits and paper artifacts. These frames aesthetically reference the design of the time periods of his subject matter. Patterson's artwork centers around Black history in the United States, but his recent work has focused on the Black history of Maryland's Eastern Shore. Adams' paintings and installations engage museum collections and commemorative landscapes to address historical memory and craft traditions. Both artists describe their process of working with archival subject matter and generating ideas in relationship to education, literature, landscape, genealogy and philosophy. They discuss recent projects about 19th and 20th century histories of Chapel Hill, North Carolina and Baltimore City and Maryland's Kent County.","PeriodicalId":42657,"journal":{"name":"SOUTHERN CULTURES","volume":null,"pages":null},"PeriodicalIF":0.4000,"publicationDate":"2022-09-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":"0","resultStr":"{\"title\":\"\\\"Necessary Contemplation\\\"\",\"authors\":\"Lauren Adams, J. Patterson\",\"doi\":\"10.1353/scu.2022.0031\",\"DOIUrl\":null,\"url\":null,\"abstract\":\"Abstract:In this interview, artists Jason Patterson and Lauren Frances Adams discuss the history of white supremacy in America and how it shapes their own experiences and artistic subject matter. Patterson is an artist whose work consists of portraiture and the recreation of historical documents. He also designs and builds ornate wood frames that house his portraits and paper artifacts. These frames aesthetically reference the design of the time periods of his subject matter. Patterson's artwork centers around Black history in the United States, but his recent work has focused on the Black history of Maryland's Eastern Shore. Adams' paintings and installations engage museum collections and commemorative landscapes to address historical memory and craft traditions. Both artists describe their process of working with archival subject matter and generating ideas in relationship to education, literature, landscape, genealogy and philosophy. They discuss recent projects about 19th and 20th century histories of Chapel Hill, North Carolina and Baltimore City and Maryland's Kent County.\",\"PeriodicalId\":42657,\"journal\":{\"name\":\"SOUTHERN CULTURES\",\"volume\":null,\"pages\":null},\"PeriodicalIF\":0.4000,\"publicationDate\":\"2022-09-01\",\"publicationTypes\":\"Journal Article\",\"fieldsOfStudy\":null,\"isOpenAccess\":false,\"openAccessPdf\":\"\",\"citationCount\":\"0\",\"resultStr\":null,\"platform\":\"Semanticscholar\",\"paperid\":null,\"PeriodicalName\":\"SOUTHERN CULTURES\",\"FirstCategoryId\":\"1085\",\"ListUrlMain\":\"https://doi.org/10.1353/scu.2022.0031\",\"RegionNum\":4,\"RegionCategory\":\"历史学\",\"ArticlePicture\":[],\"TitleCN\":null,\"AbstractTextCN\":null,\"PMCID\":null,\"EPubDate\":\"\",\"PubModel\":\"\",\"JCR\":\"Q1\",\"JCRName\":\"HISTORY\",\"Score\":null,\"Total\":0}","platform":"Semanticscholar","paperid":null,"PeriodicalName":"SOUTHERN CULTURES","FirstCategoryId":"1085","ListUrlMain":"https://doi.org/10.1353/scu.2022.0031","RegionNum":4,"RegionCategory":"历史学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":null,"EPubDate":"","PubModel":"","JCR":"Q1","JCRName":"HISTORY","Score":null,"Total":0}
Abstract:In this interview, artists Jason Patterson and Lauren Frances Adams discuss the history of white supremacy in America and how it shapes their own experiences and artistic subject matter. Patterson is an artist whose work consists of portraiture and the recreation of historical documents. He also designs and builds ornate wood frames that house his portraits and paper artifacts. These frames aesthetically reference the design of the time periods of his subject matter. Patterson's artwork centers around Black history in the United States, but his recent work has focused on the Black history of Maryland's Eastern Shore. Adams' paintings and installations engage museum collections and commemorative landscapes to address historical memory and craft traditions. Both artists describe their process of working with archival subject matter and generating ideas in relationship to education, literature, landscape, genealogy and philosophy. They discuss recent projects about 19th and 20th century histories of Chapel Hill, North Carolina and Baltimore City and Maryland's Kent County.
期刊介绍:
In the foreword to the first issue of the The Southern Literary Journal, published in November 1968, founding editors Louis D. Rubin, Jr. and C. Hugh Holman outlined the journal"s objectives: "To study the significant body of southern writing, to try to understand its relationship to the South, to attempt through it to understand an interesting and often vexing region of the American Union, and to do this, as far as possible, with good humor, critical tact, and objectivity--these are the perhaps impossible goals to which The Southern Literary Journal is committed." Since then The Southern Literary Journal has published hundreds of essays by scholars of southern literature examining the works of southern writers and the ongoing development of southern culture.