{"title":"Tradurre Najīb Ma","authors":"Naglaa Waly","doi":"10.13135/1825-263X/2879","DOIUrl":null,"url":null,"abstract":"The article analyzes the Italian translation of Ḥikāyāt ḥāratinā (published in Italian as “Il nostro quartiere” by Feltrinelli, in Milan in 1989) by Naguib Mahfouz (: Naǧīb Maḥfūẓ), and focuses on the strategies used by the translator, Dr.Valentina Colombo, to overcome the problems posed by this challenging text, full as it is of references to the Egyptian culture. Thanks to his extraordinary ability, Mahfouz manages to make the reader really enter within his novels. In fact, his poetic choice of narration does not follow a well-defined plot but swings, mostly in the dialogues, between the classic Arabic and the peculiar idiomatic expressions and syntactic methods of Cairo vernacular, translated in classic Arabic, which allows the reader to transport the narration in his own dialect. The articles details the translator’s strategies in coping with linguistic and extra-linguistic features of the text, various metaphors, proverbs, idiomatic expressions, and points out some imperfections in the translation, as well as some meanings that have been lost due to an imperfect knowledge of a culture alien to the translator. The Italian translation is then compared to English and French translations, previously published of the same work; in many passages the Italian version seems closer to the French text than to the English one.","PeriodicalId":37635,"journal":{"name":"Kervan","volume":" ","pages":""},"PeriodicalIF":0.0000,"publicationDate":"2018-11-23","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":"0","resultStr":"{\"title\":\"Tradurre Naǧīb Maḥfūẓ: il caso di Ḥikāyāt ḥāratinā\",\"authors\":\"Naglaa Waly\",\"doi\":\"10.13135/1825-263X/2879\",\"DOIUrl\":null,\"url\":null,\"abstract\":\"The article analyzes the Italian translation of Ḥikāyāt ḥāratinā (published in Italian as “Il nostro quartiere” by Feltrinelli, in Milan in 1989) by Naguib Mahfouz (: Naǧīb Maḥfūẓ), and focuses on the strategies used by the translator, Dr.Valentina Colombo, to overcome the problems posed by this challenging text, full as it is of references to the Egyptian culture. Thanks to his extraordinary ability, Mahfouz manages to make the reader really enter within his novels. In fact, his poetic choice of narration does not follow a well-defined plot but swings, mostly in the dialogues, between the classic Arabic and the peculiar idiomatic expressions and syntactic methods of Cairo vernacular, translated in classic Arabic, which allows the reader to transport the narration in his own dialect. The articles details the translator’s strategies in coping with linguistic and extra-linguistic features of the text, various metaphors, proverbs, idiomatic expressions, and points out some imperfections in the translation, as well as some meanings that have been lost due to an imperfect knowledge of a culture alien to the translator. The Italian translation is then compared to English and French translations, previously published of the same work; in many passages the Italian version seems closer to the French text than to the English one.\",\"PeriodicalId\":37635,\"journal\":{\"name\":\"Kervan\",\"volume\":\" \",\"pages\":\"\"},\"PeriodicalIF\":0.0000,\"publicationDate\":\"2018-11-23\",\"publicationTypes\":\"Journal Article\",\"fieldsOfStudy\":null,\"isOpenAccess\":false,\"openAccessPdf\":\"\",\"citationCount\":\"0\",\"resultStr\":null,\"platform\":\"Semanticscholar\",\"paperid\":null,\"PeriodicalName\":\"Kervan\",\"FirstCategoryId\":\"1085\",\"ListUrlMain\":\"https://doi.org/10.13135/1825-263X/2879\",\"RegionNum\":0,\"RegionCategory\":null,\"ArticlePicture\":[],\"TitleCN\":null,\"AbstractTextCN\":null,\"PMCID\":null,\"EPubDate\":\"\",\"PubModel\":\"\",\"JCR\":\"Q2\",\"JCRName\":\"Arts and Humanities\",\"Score\":null,\"Total\":0}","platform":"Semanticscholar","paperid":null,"PeriodicalName":"Kervan","FirstCategoryId":"1085","ListUrlMain":"https://doi.org/10.13135/1825-263X/2879","RegionNum":0,"RegionCategory":null,"ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":null,"EPubDate":"","PubModel":"","JCR":"Q2","JCRName":"Arts and Humanities","Score":null,"Total":0}
Tradurre Naǧīb Maḥfūẓ: il caso di Ḥikāyāt ḥāratinā
The article analyzes the Italian translation of Ḥikāyāt ḥāratinā (published in Italian as “Il nostro quartiere” by Feltrinelli, in Milan in 1989) by Naguib Mahfouz (: Naǧīb Maḥfūẓ), and focuses on the strategies used by the translator, Dr.Valentina Colombo, to overcome the problems posed by this challenging text, full as it is of references to the Egyptian culture. Thanks to his extraordinary ability, Mahfouz manages to make the reader really enter within his novels. In fact, his poetic choice of narration does not follow a well-defined plot but swings, mostly in the dialogues, between the classic Arabic and the peculiar idiomatic expressions and syntactic methods of Cairo vernacular, translated in classic Arabic, which allows the reader to transport the narration in his own dialect. The articles details the translator’s strategies in coping with linguistic and extra-linguistic features of the text, various metaphors, proverbs, idiomatic expressions, and points out some imperfections in the translation, as well as some meanings that have been lost due to an imperfect knowledge of a culture alien to the translator. The Italian translation is then compared to English and French translations, previously published of the same work; in many passages the Italian version seems closer to the French text than to the English one.
KervanArts and Humanities-Literature and Literary Theory
CiteScore
0.30
自引率
0.00%
发文量
0
审稿时长
18 weeks
期刊介绍:
The journal has three main aims. First of all, it aims at encouraging interdisciplinary research on Asia and Africa, maintaining high research standards. Second, by providing a global forum for Asian and African scholars, it promotes dialogue between the global academic community and civil society, emphasizing patterns and tendencies that go beyond national borders and are globally relevant. The third aim for a specialized academic journal is to widen the opportunities for publishing worthy scholarly studies, to stimulate debate, to create an ideal agora where ideas and research results can be compared and contrasted. Another challenge is to combine a scientific approach and the interest for cultural debate, artistic production, biographic narrative, etcetera. This journal wants to be original (even hybrid) also in its structure, where academic rigor should not hinder access to the vitality of experience and of artistic and cultural production.