{"title":"认证教学艺术家?使用专业发展培训导师,教师和社区工作者在教学艺术家的方法","authors":"Chelsea Hackett","doi":"10.1080/15411796.2020.1858689","DOIUrl":null,"url":null,"abstract":"Abstract This article examines the challenges faced and lessons learned while developing the SPEAK Young Women’s Vocal Empowerment Curriculum and leading 30 educators through a Professional Development Training on the curriculum in Guatemala in 2019. The guiding question is, What does it take to train non–teaching artists in the skills needed to lead a curriculum traditionally taught by teaching artists? This is the first in a series of two articles that examine this guiding question through the lens of a Voz Empoderada Diplomado, or Vocal Empowerment Certificate Program, led by teaching artists for 30 educators, mentors, and community workers in Guatemala. This first installment introduces the author as a teaching artist, her approach and experience with professional development, the development of the SPEAK Young Women’s Vocal Empowerment Curriculum, the design of the training program, and the initial lessons learned.","PeriodicalId":53876,"journal":{"name":"Teaching Artist Journal","volume":null,"pages":null},"PeriodicalIF":0.1000,"publicationDate":"2020-12-08","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"https://sci-hub-pdf.com/10.1080/15411796.2020.1858689","citationCount":"0","resultStr":"{\"title\":\"Certified Teaching Artist? Using Professional Development to Train Mentors, Teachers, and Community Workers in a Teaching Artist’s Approach\",\"authors\":\"Chelsea Hackett\",\"doi\":\"10.1080/15411796.2020.1858689\",\"DOIUrl\":null,\"url\":null,\"abstract\":\"Abstract This article examines the challenges faced and lessons learned while developing the SPEAK Young Women’s Vocal Empowerment Curriculum and leading 30 educators through a Professional Development Training on the curriculum in Guatemala in 2019. The guiding question is, What does it take to train non–teaching artists in the skills needed to lead a curriculum traditionally taught by teaching artists? This is the first in a series of two articles that examine this guiding question through the lens of a Voz Empoderada Diplomado, or Vocal Empowerment Certificate Program, led by teaching artists for 30 educators, mentors, and community workers in Guatemala. This first installment introduces the author as a teaching artist, her approach and experience with professional development, the development of the SPEAK Young Women’s Vocal Empowerment Curriculum, the design of the training program, and the initial lessons learned.\",\"PeriodicalId\":53876,\"journal\":{\"name\":\"Teaching Artist Journal\",\"volume\":null,\"pages\":null},\"PeriodicalIF\":0.1000,\"publicationDate\":\"2020-12-08\",\"publicationTypes\":\"Journal Article\",\"fieldsOfStudy\":null,\"isOpenAccess\":false,\"openAccessPdf\":\"https://sci-hub-pdf.com/10.1080/15411796.2020.1858689\",\"citationCount\":\"0\",\"resultStr\":null,\"platform\":\"Semanticscholar\",\"paperid\":null,\"PeriodicalName\":\"Teaching Artist Journal\",\"FirstCategoryId\":\"1085\",\"ListUrlMain\":\"https://doi.org/10.1080/15411796.2020.1858689\",\"RegionNum\":0,\"RegionCategory\":null,\"ArticlePicture\":[],\"TitleCN\":null,\"AbstractTextCN\":null,\"PMCID\":null,\"EPubDate\":\"\",\"PubModel\":\"\",\"JCR\":\"Q4\",\"JCRName\":\"EDUCATION & EDUCATIONAL RESEARCH\",\"Score\":null,\"Total\":0}","platform":"Semanticscholar","paperid":null,"PeriodicalName":"Teaching Artist Journal","FirstCategoryId":"1085","ListUrlMain":"https://doi.org/10.1080/15411796.2020.1858689","RegionNum":0,"RegionCategory":null,"ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":null,"EPubDate":"","PubModel":"","JCR":"Q4","JCRName":"EDUCATION & EDUCATIONAL RESEARCH","Score":null,"Total":0}
Certified Teaching Artist? Using Professional Development to Train Mentors, Teachers, and Community Workers in a Teaching Artist’s Approach
Abstract This article examines the challenges faced and lessons learned while developing the SPEAK Young Women’s Vocal Empowerment Curriculum and leading 30 educators through a Professional Development Training on the curriculum in Guatemala in 2019. The guiding question is, What does it take to train non–teaching artists in the skills needed to lead a curriculum traditionally taught by teaching artists? This is the first in a series of two articles that examine this guiding question through the lens of a Voz Empoderada Diplomado, or Vocal Empowerment Certificate Program, led by teaching artists for 30 educators, mentors, and community workers in Guatemala. This first installment introduces the author as a teaching artist, her approach and experience with professional development, the development of the SPEAK Young Women’s Vocal Empowerment Curriculum, the design of the training program, and the initial lessons learned.