{"title":"跨越分歧的关怀:激进堕胎和围绕面纱法的电影","authors":"Grace An","doi":"10.1080/26438941.2021.2003119","DOIUrl":null,"url":null,"abstract":"ABSTRACT During the years that preceded the legalisation of abortion in France by la loi Veil in 1975, feminists and activist doctors provided women alternative modes of reproductive care and advocacy. Militant and documentary filmmakers captured these developments in films such as Y’a qu’à pas baiser ! (Carole Roussopoulos and Vidéo Out, 1971–1973), Histoires d’A (Charles Belmont and Marielle Issartel, 1974) and Regarde, elle a les yeux grand ouverts (Yann Le Masson, 1982). While reframing abortion as an act of care and self-governance for women and their families and communities, filmmakers strive to both expand access to and increase safety in abortion practices, while arguing their significance in the socio-economic and political landscape of 1970s France.","PeriodicalId":40074,"journal":{"name":"French Screen Studies","volume":"22 1","pages":"6 - 22"},"PeriodicalIF":0.5000,"publicationDate":"2022-01-02","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":"1","resultStr":"{\"title\":\"Care across divides: militant abortion and film around the Veil Law\",\"authors\":\"Grace An\",\"doi\":\"10.1080/26438941.2021.2003119\",\"DOIUrl\":null,\"url\":null,\"abstract\":\"ABSTRACT During the years that preceded the legalisation of abortion in France by la loi Veil in 1975, feminists and activist doctors provided women alternative modes of reproductive care and advocacy. Militant and documentary filmmakers captured these developments in films such as Y’a qu’à pas baiser ! (Carole Roussopoulos and Vidéo Out, 1971–1973), Histoires d’A (Charles Belmont and Marielle Issartel, 1974) and Regarde, elle a les yeux grand ouverts (Yann Le Masson, 1982). While reframing abortion as an act of care and self-governance for women and their families and communities, filmmakers strive to both expand access to and increase safety in abortion practices, while arguing their significance in the socio-economic and political landscape of 1970s France.\",\"PeriodicalId\":40074,\"journal\":{\"name\":\"French Screen Studies\",\"volume\":\"22 1\",\"pages\":\"6 - 22\"},\"PeriodicalIF\":0.5000,\"publicationDate\":\"2022-01-02\",\"publicationTypes\":\"Journal Article\",\"fieldsOfStudy\":null,\"isOpenAccess\":false,\"openAccessPdf\":\"\",\"citationCount\":\"1\",\"resultStr\":null,\"platform\":\"Semanticscholar\",\"paperid\":null,\"PeriodicalName\":\"French Screen Studies\",\"FirstCategoryId\":\"1085\",\"ListUrlMain\":\"https://doi.org/10.1080/26438941.2021.2003119\",\"RegionNum\":2,\"RegionCategory\":\"艺术学\",\"ArticlePicture\":[],\"TitleCN\":null,\"AbstractTextCN\":null,\"PMCID\":null,\"EPubDate\":\"\",\"PubModel\":\"\",\"JCR\":\"0\",\"JCRName\":\"FILM, RADIO, TELEVISION\",\"Score\":null,\"Total\":0}","platform":"Semanticscholar","paperid":null,"PeriodicalName":"French Screen Studies","FirstCategoryId":"1085","ListUrlMain":"https://doi.org/10.1080/26438941.2021.2003119","RegionNum":2,"RegionCategory":"艺术学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":null,"EPubDate":"","PubModel":"","JCR":"0","JCRName":"FILM, RADIO, TELEVISION","Score":null,"Total":0}
引用次数: 1
摘要
1975年,在法国堕胎合法化之前的几年里,女权主义者和活动家医生为妇女提供了生殖保健和倡导的替代模式。激进的和纪录片的电影人在电影中捕捉到了这些发展,比如《你去吧,你去吧!》(Carole Roussopoulos和vidsamo Out, 1971-1973年),《a的历史》(Charles Belmont和Marielle Issartel, 1974年)和《关于你的故事》(Yann Le Masson, 1982年)。在将堕胎重新定义为妇女及其家庭和社区的关怀和自治行为的同时,电影制作人努力扩大堕胎的机会并提高堕胎的安全性,同时争论堕胎在20世纪70年代法国社会经济和政治格局中的重要性。
Care across divides: militant abortion and film around the Veil Law
ABSTRACT During the years that preceded the legalisation of abortion in France by la loi Veil in 1975, feminists and activist doctors provided women alternative modes of reproductive care and advocacy. Militant and documentary filmmakers captured these developments in films such as Y’a qu’à pas baiser ! (Carole Roussopoulos and Vidéo Out, 1971–1973), Histoires d’A (Charles Belmont and Marielle Issartel, 1974) and Regarde, elle a les yeux grand ouverts (Yann Le Masson, 1982). While reframing abortion as an act of care and self-governance for women and their families and communities, filmmakers strive to both expand access to and increase safety in abortion practices, while arguing their significance in the socio-economic and political landscape of 1970s France.