{"title":"在故事中重新想象非洲遗产","authors":"Felipe Fanuel Xavier Rodrigues","doi":"10.12957/matraga.2019.42396","DOIUrl":null,"url":null,"abstract":"This article aims to present a critical study of selected short stories by Mae Beata de Yemonja (1931-2017), author of Historias que a minha avo contava (2004) and Caroco de Dende (2008). In her work, the writer engages in literary representations of symbolic elements derived from African cultures and reconfigured in Brazil, understood as a diasporic territory for black subjects. The tropes of this reimagined and recreated Africa unveil the cultural agency of a storyteller who deals with culture as a strategy of survival in contexts marked by a history of racism and intolerance towards African-derived traditions.","PeriodicalId":40929,"journal":{"name":"Matraga-Estudos Linguisticos e Literario","volume":"26 1","pages":"635-653"},"PeriodicalIF":0.1000,"publicationDate":"2019-11-25","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":"0","resultStr":"{\"title\":\"REIMAGINANDO A HERANÇA AFRICANA EM CONTOS\",\"authors\":\"Felipe Fanuel Xavier Rodrigues\",\"doi\":\"10.12957/matraga.2019.42396\",\"DOIUrl\":null,\"url\":null,\"abstract\":\"This article aims to present a critical study of selected short stories by Mae Beata de Yemonja (1931-2017), author of Historias que a minha avo contava (2004) and Caroco de Dende (2008). In her work, the writer engages in literary representations of symbolic elements derived from African cultures and reconfigured in Brazil, understood as a diasporic territory for black subjects. The tropes of this reimagined and recreated Africa unveil the cultural agency of a storyteller who deals with culture as a strategy of survival in contexts marked by a history of racism and intolerance towards African-derived traditions.\",\"PeriodicalId\":40929,\"journal\":{\"name\":\"Matraga-Estudos Linguisticos e Literario\",\"volume\":\"26 1\",\"pages\":\"635-653\"},\"PeriodicalIF\":0.1000,\"publicationDate\":\"2019-11-25\",\"publicationTypes\":\"Journal Article\",\"fieldsOfStudy\":null,\"isOpenAccess\":false,\"openAccessPdf\":\"\",\"citationCount\":\"0\",\"resultStr\":null,\"platform\":\"Semanticscholar\",\"paperid\":null,\"PeriodicalName\":\"Matraga-Estudos Linguisticos e Literario\",\"FirstCategoryId\":\"1085\",\"ListUrlMain\":\"https://doi.org/10.12957/matraga.2019.42396\",\"RegionNum\":0,\"RegionCategory\":null,\"ArticlePicture\":[],\"TitleCN\":null,\"AbstractTextCN\":null,\"PMCID\":null,\"EPubDate\":\"\",\"PubModel\":\"\",\"JCR\":\"0\",\"JCRName\":\"LITERATURE\",\"Score\":null,\"Total\":0}","platform":"Semanticscholar","paperid":null,"PeriodicalName":"Matraga-Estudos Linguisticos e Literario","FirstCategoryId":"1085","ListUrlMain":"https://doi.org/10.12957/matraga.2019.42396","RegionNum":0,"RegionCategory":null,"ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":null,"EPubDate":"","PubModel":"","JCR":"0","JCRName":"LITERATURE","Score":null,"Total":0}
引用次数: 0
摘要
本文旨在对Mae Beata de Yemonja（1931-2017）、Historias que a minha avo contava（2004）和Caroco de Dende（2008）的短篇小说选集进行批判性研究。在她的作品中，作者对源自非洲文化并在巴西重新配置的象征元素进行了文学表现，巴西被理解为黑人主体的散居地。这个重新想象和重建的非洲的比喻揭示了一个讲故事的人的文化机构，他将文化作为一种生存策略，在种族主义和对非洲传统的不容忍历史的背景下处理。
This article aims to present a critical study of selected short stories by Mae Beata de Yemonja (1931-2017), author of Historias que a minha avo contava (2004) and Caroco de Dende (2008). In her work, the writer engages in literary representations of symbolic elements derived from African cultures and reconfigured in Brazil, understood as a diasporic territory for black subjects. The tropes of this reimagined and recreated Africa unveil the cultural agency of a storyteller who deals with culture as a strategy of survival in contexts marked by a history of racism and intolerance towards African-derived traditions.
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