仍在悲伤：“3·11”后哀悼电影中的流动与缺席

Journal of Japanese and Korean Cinema Pub Date : 2019-01-02 DOI:10.1080/17564905.2019.1600695

Yutaka Kubo

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引用次数: 0

摘要

摘要：到目前为止，“3·11”后的悼念电影很少受到学术界的关注。本文旨在通过分析一部小说和三部关于失落和缺席的电影来纠正这种不平衡：荒田的《哀悼者》及其由须见由纪彦改编的电影，以及中川龙太郎的电影《呼唤》和《东京日出》。虽然每部电影的损失类型不同，但三部电影都聚焦于哀悼过程中的流动和缺席。本文旨在扩大对所谓的“日本电影”（处理3·11海啸及其后果的电影）的研究范围，将流动和缺席在电影哀悼中的作用包括在内，并分析在日本最近发生的一系列灾难之后，日本电影中罕见的男性哀悼表现。

本文章由计算机程序翻译，如有差异，请以英文原文为准。

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Still Grieving: mobility and absence in post-3/11 mourning films

ABSTRACT Post-3/11 mourning films have thus far gained little scholarly attention. This paper aims to correct that imbalance by analyzing a novel and three films that deal with loss and absence: Tendō Arata’s The Mourner and its film adaptation by Tsutsumi Yukihiko, as well as Nakagawa Ryūtarō’s films Calling and Tokyo Sunrise. While the type of loss in each film differs, all three films focus on mobility and absence in the process of mourning. This paper aims at expanding the scope of the study of so-called shinsaigo eiga (films dealing with the 3/11 tsunami and its aftermath) to include the role of mobility and absence in cinematic mourning as well as offering an analysis of a rare representation of male mourning in Japanese film in the wake of the recent spate of disasters that have afflicted Japan.

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来源期刊

Journal of Japanese and Korean Cinema Arts and Humanities-Visual Arts and Performing Arts

CiteScore

0.60

自引率

0.00%

发文量

期刊介绍： Journal of Japanese and Korean Cinema is a fully refereed forum for the dissemination of scholarly work devoted to the cinemas of Japan and Korea and the interactions and relations between them. The increasingly transnational status of Japanese and Korean cinema underlines the need to deepen our understanding of this ever more globalized film-making region. Journal of Japanese and Korean Cinema is a peer-reviewed journal. The peer review process is double blind. Detailed Instructions for Authors can be found here.