重新考虑拉格-比比:萨珊东方的权威和受众

IF 0.3 0 ASIAN STUDIES
Afghanistan Pub Date : 2019-09-11 DOI:10.3366/afg.2019.0037
E. Levine, D. Plekhov
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引用次数: 2

摘要

位于阿富汗北部的萨珊王朝岩石雕刻的ragi Bibi浮雕提供了一个独特的机会来重新考虑古代艺术中的观众,记忆和权力问题。在距离最近的经证实的萨珊鲁氏浮雕以东1000多公里处发现的拉格-比比在地理和图像上都很独特,展示了当地主题、艺术风格和政治象征主义的元素。通过与萨珊王朝西部和当地艺术传统的浮雕进行比较,ragi Bibi的风格和位置被调动起来,提供了一个视角,将这种浮雕作为萨珊王朝波斯和巴克特里亚当地艺术传统的产物,积极地设计以吸引不同的观众。这种观点是建立在之前对拉格-比比作为传统政治权力标志的解读之上的,相反,它的作用是在地方、地区和国际受众之间进行调解。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
Reconsidering Rag-i Bibi: Authority and audience in the Sasanian East
The Sasanian rock-cut relief of Rag-i Bibi, located in northern Afghanistan, offers a unique opportunity to reconsider issues of audience, memory, and power in rupestral art. Found over 1,000 kilometers east of the nearest attested Sasanian rupestral relief, Rag-i Bibi is geographically and iconographically distinct, displaying elements of local subject matter, artistic style, and political symbolism. Through comparison to reliefs in the Sasanian west and local artistic traditions, the stylistics and location of Rag-i Bibi are mobilized to offer a perspective that characterizes this relief as the product of Sasanian Persia and the local artistic traditions of Bactria, actively designed to appeal to a diverse audience. This perspective builds upon previous readings of Rag-i Bibi as a conventional marker of political power, arguing instead for its role as mediating between local, regional, and international audiences.
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来源期刊
Afghanistan
Afghanistan ASIAN STUDIES-
CiteScore
0.50
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0.00%
发文量
16
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