猫与广告:威廉姆斯“诗”的时间诗学分析

IF 0.1 0 POETRY
Cureton
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引用次数: 1

摘要

摘要:本文运用以节奏为基础的诗歌形式理论“时间诗学”,对威廉·卡洛斯·威廉姆斯1930年的《诗》(如猫)的节奏和形式进行了全面的解读。节奏被定义为有四个主要组成部分——节拍、分组、延长和主题——这些节奏组成部分的对比特性是诗歌形式的基础。诗歌的形式是聚合的,被组织成层次的正交体,其层次在范式之间是“对应的”。相应的形式创造了不同的“时间性”——循环的、中心的、线性的和相对的——这些“时间性”“对应”于在语境中具有相同组织的形式,包括世界和思想。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
Of Cats and Adverbs: An Analysis in Temporal Poetics of “Poem” by William Carlos Williams
abstract:This article provides a complete reading of the rhythm and form of William Carlos Williams’s 1930 “Poem” (As the cat), using “temporal poetics,” a theory of poetic form based on rhythm. Rhythm is defined as having four major components—meter, grouping, prolongation, and theme—and it is the contrasting qualities of these rhythmic components that are the basis of poetic form. Poetic form is paradigmatic, organized into leveled quadratures whose levels, across paradigms, “correspond.” Corresponding forms create different “temporalities”—cyclical, centrodial, linear, and relative—which “correspond” to forms with the same organization in context, both world and mind.
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