{"title":"怒吼二十年代的帝王龙:清代服饰再造","authors":"Helena Heroldová","doi":"10.1515/anpm-2017-0019","DOIUrl":null,"url":null,"abstract":"Abstract The study focuses on the methodology of research on recycled clothing. Two Chinese Dragon Robes from the collection of the Náprstek Museum were remade as a men’s jacket and a woman’s evening dress. Both examples are described, analysed and interpreted from two points of view: as authentic Dragon Robes in its original Imperial China setting, as well as newly made clothes in the context of the early 20th century Western culture.","PeriodicalId":38203,"journal":{"name":"Annals of the Naprstek Museum","volume":"38 1","pages":"29 - 40"},"PeriodicalIF":0.0000,"publicationDate":"2017-06-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":"1","resultStr":"{\"title\":\"Imperial Dragon in the Roaring Twenties: Qing Dynasty Dress Re-Made\",\"authors\":\"Helena Heroldová\",\"doi\":\"10.1515/anpm-2017-0019\",\"DOIUrl\":null,\"url\":null,\"abstract\":\"Abstract The study focuses on the methodology of research on recycled clothing. Two Chinese Dragon Robes from the collection of the Náprstek Museum were remade as a men’s jacket and a woman’s evening dress. Both examples are described, analysed and interpreted from two points of view: as authentic Dragon Robes in its original Imperial China setting, as well as newly made clothes in the context of the early 20th century Western culture.\",\"PeriodicalId\":38203,\"journal\":{\"name\":\"Annals of the Naprstek Museum\",\"volume\":\"38 1\",\"pages\":\"29 - 40\"},\"PeriodicalIF\":0.0000,\"publicationDate\":\"2017-06-01\",\"publicationTypes\":\"Journal Article\",\"fieldsOfStudy\":null,\"isOpenAccess\":false,\"openAccessPdf\":\"\",\"citationCount\":\"1\",\"resultStr\":null,\"platform\":\"Semanticscholar\",\"paperid\":null,\"PeriodicalName\":\"Annals of the Naprstek Museum\",\"FirstCategoryId\":\"1085\",\"ListUrlMain\":\"https://doi.org/10.1515/anpm-2017-0019\",\"RegionNum\":0,\"RegionCategory\":null,\"ArticlePicture\":[],\"TitleCN\":null,\"AbstractTextCN\":null,\"PMCID\":null,\"EPubDate\":\"\",\"PubModel\":\"\",\"JCR\":\"\",\"JCRName\":\"\",\"Score\":null,\"Total\":0}","platform":"Semanticscholar","paperid":null,"PeriodicalName":"Annals of the Naprstek Museum","FirstCategoryId":"1085","ListUrlMain":"https://doi.org/10.1515/anpm-2017-0019","RegionNum":0,"RegionCategory":null,"ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":null,"EPubDate":"","PubModel":"","JCR":"","JCRName":"","Score":null,"Total":0}
Imperial Dragon in the Roaring Twenties: Qing Dynasty Dress Re-Made
Abstract The study focuses on the methodology of research on recycled clothing. Two Chinese Dragon Robes from the collection of the Náprstek Museum were remade as a men’s jacket and a woman’s evening dress. Both examples are described, analysed and interpreted from two points of view: as authentic Dragon Robes in its original Imperial China setting, as well as newly made clothes in the context of the early 20th century Western culture.
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