来自集合

IF 0.1 0 ART

WINTERTHUR PORTFOLIO-A JOURNAL OF AMERICAN MATERIAL CULTURE Pub Date : 2020-03-01 DOI:10.1086/709875

Margaret A. Oppenheimer

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引用次数: 0

摘要

乔治·安德鲁斯（约1765-1816）是美国最早的合成装饰制造商之一。他广为传播的造型产品取代了浅浮雕木雕，帮助罗伯特·亚当的新古典主义风格在美国传播开来。安德鲁斯的生产和来源与两位竞争对手罗伯特·韦尔福德和一家迄今鲜为人知的波士顿工作室的生产和资源进行了识别、比较和区分。Winterthur的Phyfe Room、Federal Parlor和Billiard Room中发现的合成饰品被新分配给Andrews的工作室，Winterthur's图书馆中的发票和目录被用来进一步探索他的定价、制作和图像。

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From the Collection

George Andrews (ca. 1765–1816) was one of the earliest US manufacturers of composition ornament. His widely disseminated molded product, which substituted for wood carving in bas relief, helped spread Robert Adam’s neoclassical style in America. Andrews’s production and sources are identified, compared with, and distinguished from those of two competitors, Robert Wellford and a heretofore little-known Boston workshop. Composition ornaments found in Winterthur’s Phyfe Room, Federal Parlor, and Billiard Room are newly assigned to Andrews’s workshop, and invoices and a catalog in Winterthur’s library are used to further explore his pricing, production, and imagery.

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来源期刊

WINTERTHUR PORTFOLIO-A JOURNAL OF AMERICAN MATERIAL CULTURE ART-

CiteScore

0.10

自引率

0.00%

发文量