青铜时代早期的缩放图像与社会进程

Q1 Arts and Humanities
Ebru Gizem Ayten, Çiğdem Atakuman
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引用次数: 0

摘要

通过动物的代理,我们思考我们的身份、景观和社会,因此动物意象在人类思维方法中占有特殊的地位。通过对安卡拉Koçumbelli青铜时代早期遗址记录的动物雕像组合的研究,我们认为这一时期的动物雕像是通过将特定的图像和原材料与特定的使用环境有意义地联系起来而产生的。例如,性别模糊的动物化粘土雕像通常在定居点环境中发现,而其他动物化图像,以精心装饰的、通常是男性性别的金属雕像和标准的形式,则在墓地的“精英”墓葬中发现。这是在一种新兴的仪式控制形式的背景下发生的,这种形式是通过墓地和定居点的分离来谈判的。在这些背景下,过去的权威是通过祖先的形象,通过谨慎使用新的原材料,如金属,在安纳托利亚中央集权进程前夕,这些原材料在社会内部年龄、性别和阶级差异的分离中同样成为代理。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
Zoomorphic imagery and social process during the Early Bronze Age
Through the agency of animals, we think about our identity, landscape and society, and therefore animal imagery holds a special place in approaches to human thought. Through a study of the zoomorphic figurine assemblage recorded at the Early Bronze Age site of Koçumbeli-Ankara, we argue that the zoomorphic figurines of this time period were produced through a meaningful linking of particular images and raw materials to particular use contexts. For example, the ambiguously sexed zoomorphic figurines of clay are usually found within the settlement contexts, whereas the rest of the zoomorphic imagery, in the form of elaborately decorated and often male-sexed metal statues and standards, are found in ‘elite’ burials located in cemeteries. This occurs on the background of an emergent form of ritual control, which was negotiated through the separation of cemetery and settlement. In these contexts, the authority of the past was invoked via ancestral imagery through the careful employment of new raw materials, such as metals, that equally became agential in the separation of age, gender and class-based differences within society, at the eve of the centralization process in Anatolia.
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来源期刊
Documenta Praehistorica
Documenta Praehistorica Arts and Humanities-Archeology (arts and humanities)
CiteScore
1.50
自引率
0.00%
发文量
20
审稿时长
12 weeks
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