民族志与Volumography:黑板上的理论绘画

IF 0.4 Q3 ANTHROPOLOGY
A. Piette
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引用次数: 0

摘要

作者在大学里当着学生的面展示黑板上的画。本文旨在从以人为本的人类学角度展示绘画的启发价值,即关注一个人,尽可能地与其他人、情境或语境分离。这些绘画旨在说明民族志和他所说的卷体志之间的差异,卷体志关注的是作为VoB的人。在整篇文章中,作者讨论了分离、视角和关系的概念。在询问科学领域中谁真正在描述这个人或那个人时,作者提出这项任务属于存在主义人类学。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
Ethnography and Volumography: Drawings of Theory on the Blackboard
The author presents drawings made on the blackboard in front of his students at the university. This article aims to show the heuristic value of drawing in view of a human-oriented anthropology, i.e. focused on a human being, as detached as possible from other humans, situations or contexts. The drawings aim to illustrate the differences between ethnography and what he calls volumography, which focuses on the human being as a VoB. Throughout the article, the author discusses the notions of separation, perspective, and relation. In asking who is really describing this or that person in the spectrum of sciences, the author proposes that this task falls to existential anthropology.
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来源期刊
Visual Anthropology
Visual Anthropology ANTHROPOLOGY-
CiteScore
1.00
自引率
50.00%
发文量
19
期刊介绍: Visual Anthropology is a scholarly journal presenting original articles, commentary, discussions, film reviews, and book reviews on anthropological and ethnographic topics. The journal focuses on the study of human behavior through visual means. Experts in the field also examine visual symbolic forms from a cultural-historical framework and provide a cross-cultural study of art and artifacts. Visual Anthropology also promotes the study, use, and production of anthropological and ethnographic films, videos, and photographs for research and teaching.
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