Entering "the Dimension of Imagination": The Twilight Zone's Tales of Madness

Delusions. Illusions. Over-tension, over-anxiety, and under-confidence. The original Twilight Zone series employed madness as a metaphor to critique the late-1950s and early-1960s American cultural ideals of uncompromising rationality, social conformity, and the organization of life around work. The series's representations of madness were not, however, solely metaphorical, as they also served to expose the norm of able-mindedness as compulsory and dangerous to Americans and American society. The protagonists of "Mirror Image," "Nightmare at 20,000 Feet," and "The Arrival," as well as those of other episodes, experience inexplicable yet undeniable phenomena and adjust their normative, rational worldviews to accurately interpret their surroundings. This potential for accurate irrationality reveals madness as socially constructed, while the surveillance of these protagonists' adherence to normative standards of middle-class American behavior by other characters highlights able-mindedness as compulsory. The Twilight Zone was produced during a time when American attitudes toward mental healthcare were undergoing a significant shift. The deinstitutionalization movement affected the release of mental health patients back into American society while psychoanalysis collided with a new preventative approach to medicine, resulting in the idea that lying dormant in all people was a latent madness, which responsible middle-class Americans would ensure did not overtake them. The asylum features heavily in The Twilight Zone, and each of the three episodes I analyze in this essay ends with its protagonist's forced removal to a mental hospital for his or her refusal to perform able-mindedness when confronted with a situation that cannot be rationally comprehended. With its tales of madness, The Twilight Zone illuminated the dehumanizing treatment of mental health patients in mid-twentieth century America and pushed viewers to find creative, nonnormative, or even mad alternatives to the status quo.