{"title":"“丝绸之路上的石器:长沙窑的陶瓷”,林世英人类学博物馆,2019年3月12日至2020年3月16日,可在其网站上观看","authors":"C. L. Kieffer","doi":"10.1111/muan.12265","DOIUrl":null,"url":null,"abstract":"","PeriodicalId":43404,"journal":{"name":"Museum Anthropology","volume":"46 1","pages":"70-71"},"PeriodicalIF":0.7000,"publicationDate":"2023-02-18","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":"0","resultStr":"{\"title\":\"Stoneware on the Silk Roads: Ceramics from the Changsha Kilns, Timothy S. Y. Lam Museum of Anthropology, March 12, 2019, to March 16, 2020, available via their website\",\"authors\":\"C. L. Kieffer\",\"doi\":\"10.1111/muan.12265\",\"DOIUrl\":null,\"url\":null,\"abstract\":\"\",\"PeriodicalId\":43404,\"journal\":{\"name\":\"Museum Anthropology\",\"volume\":\"46 1\",\"pages\":\"70-71\"},\"PeriodicalIF\":0.7000,\"publicationDate\":\"2023-02-18\",\"publicationTypes\":\"Journal Article\",\"fieldsOfStudy\":null,\"isOpenAccess\":false,\"openAccessPdf\":\"\",\"citationCount\":\"0\",\"resultStr\":null,\"platform\":\"Semanticscholar\",\"paperid\":null,\"PeriodicalName\":\"Museum Anthropology\",\"FirstCategoryId\":\"1085\",\"ListUrlMain\":\"https://onlinelibrary.wiley.com/doi/10.1111/muan.12265\",\"RegionNum\":0,\"RegionCategory\":null,\"ArticlePicture\":[],\"TitleCN\":null,\"AbstractTextCN\":null,\"PMCID\":null,\"EPubDate\":\"\",\"PubModel\":\"\",\"JCR\":\"Q3\",\"JCRName\":\"ANTHROPOLOGY\",\"Score\":null,\"Total\":0}","platform":"Semanticscholar","paperid":null,"PeriodicalName":"Museum Anthropology","FirstCategoryId":"1085","ListUrlMain":"https://onlinelibrary.wiley.com/doi/10.1111/muan.12265","RegionNum":0,"RegionCategory":null,"ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":null,"EPubDate":"","PubModel":"","JCR":"Q3","JCRName":"ANTHROPOLOGY","Score":null,"Total":0}
Stoneware on the Silk Roads: Ceramics from the Changsha Kilns, Timothy S. Y. Lam Museum of Anthropology, March 12, 2019, to March 16, 2020, available via their website
期刊介绍:
Museum Anthropology seeks to be a leading voice for scholarly research on the collection, interpretation, and representation of the material world. Through critical articles, provocative commentaries, and thoughtful reviews, this peer-reviewed journal aspires to cultivate vibrant dialogues that reflect the global and transdisciplinary work of museums. Situated at the intersection of practice and theory, Museum Anthropology advances our knowledge of the ways in which material objects are intertwined with living histories of cultural display, economics, socio-politics, law, memory, ethics, colonialism, conservation, and public education.