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引用次数: 0
摘要
继约翰·奥斯本(John Osborne)1956年臭名昭著的戏剧《愤怒中的回首》(Look Back in Anger)之后,伦敦的舞台上出现了“愤怒的年轻人”(Angry Young Man),这是对困难时期工人阶级男性的现实刻画。20世纪50年代中后期的Expresso Bongo和Lily White Boys的作品表明,这个愤怒的年轻人也出现在伦敦的音乐剧中,这之前是一种上层和中产阶级的类型。以苏荷区、黑帮、妓女和摇滚乐为特色,这个独特的音乐剧时代改变了人们对音乐剧能够为疲惫的城市观众提供什么的期望。这些令人惊叹的音乐剧作品有力地评论了英国社会、英国身份,尤其是被剥夺权利的英国年轻男性,并深入了解了美英关系、性别角色和期望,以及新伊丽莎白时代工人阶级男性的复杂角色。
Expresso Bongo and Make Me an Offer: The ‘Angry Young Musical’ in the 1950s
Following on from John Osborne’s infamous play Look Back in Anger of 1956, London’s stage saw the emergence of the ‘Angry Young Man’, realistic portrayals of working-class men in a difficult age. Expresso Bongo and Lily White Boys, works of the mid-to-late 1950s, demonstrate that the angry young man was also present in London’s musicals, previously an upper- and middle-class genre. Featuring the Soho district, gangsters, prostitutes and rock music, this unique era of musical theatre changed expectations of what musical theatre could and would offer to a jaded urban audience. These astonishing musical theatre works offer potent commentary on British society, British identity and particularly disenfranchised young British men, and offer insights into American and British relations, gender roles and expectations, and the complicated role of working-class men in the new Elizabethan era.