{"title":"辛西娅·欧齐克在《微光世界的继承者》中的米德拉什想象","authors":"Rebecca Nicholson-Weir","doi":"10.1353/SCR.2021.0003","DOIUrl":null,"url":null,"abstract":"Abstract:This article discusses the novel Heir to the Glimmering World and the ways in which Cynthia Ozick draws on Judaism's midrashic heritage, asserting writing and representation as ethically charged acts capable of both creation and destruction. Using interviews and Ozick's considerable body of criticism, this essay maps Ozick's concept of art and creativity, situating Heir within Ozick's ongoing interrogation of art and imagination within the Jewish tradition.","PeriodicalId":42938,"journal":{"name":"South Central Review","volume":"38 1","pages":"58 - 75"},"PeriodicalIF":0.1000,"publicationDate":"2021-03-18","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"https://sci-hub-pdf.com/10.1353/SCR.2021.0003","citationCount":"0","resultStr":"{\"title\":\"Cynthia Ozick's Midrashic Imagination in Heir to the Glimmering World\",\"authors\":\"Rebecca Nicholson-Weir\",\"doi\":\"10.1353/SCR.2021.0003\",\"DOIUrl\":null,\"url\":null,\"abstract\":\"Abstract:This article discusses the novel Heir to the Glimmering World and the ways in which Cynthia Ozick draws on Judaism's midrashic heritage, asserting writing and representation as ethically charged acts capable of both creation and destruction. Using interviews and Ozick's considerable body of criticism, this essay maps Ozick's concept of art and creativity, situating Heir within Ozick's ongoing interrogation of art and imagination within the Jewish tradition.\",\"PeriodicalId\":42938,\"journal\":{\"name\":\"South Central Review\",\"volume\":\"38 1\",\"pages\":\"58 - 75\"},\"PeriodicalIF\":0.1000,\"publicationDate\":\"2021-03-18\",\"publicationTypes\":\"Journal Article\",\"fieldsOfStudy\":null,\"isOpenAccess\":false,\"openAccessPdf\":\"https://sci-hub-pdf.com/10.1353/SCR.2021.0003\",\"citationCount\":\"0\",\"resultStr\":null,\"platform\":\"Semanticscholar\",\"paperid\":null,\"PeriodicalName\":\"South Central Review\",\"FirstCategoryId\":\"1085\",\"ListUrlMain\":\"https://doi.org/10.1353/SCR.2021.0003\",\"RegionNum\":4,\"RegionCategory\":\"社会学\",\"ArticlePicture\":[],\"TitleCN\":null,\"AbstractTextCN\":null,\"PMCID\":null,\"EPubDate\":\"\",\"PubModel\":\"\",\"JCR\":\"0\",\"JCRName\":\"HUMANITIES, MULTIDISCIPLINARY\",\"Score\":null,\"Total\":0}","platform":"Semanticscholar","paperid":null,"PeriodicalName":"South Central Review","FirstCategoryId":"1085","ListUrlMain":"https://doi.org/10.1353/SCR.2021.0003","RegionNum":4,"RegionCategory":"社会学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":null,"EPubDate":"","PubModel":"","JCR":"0","JCRName":"HUMANITIES, MULTIDISCIPLINARY","Score":null,"Total":0}
Cynthia Ozick's Midrashic Imagination in Heir to the Glimmering World
Abstract:This article discusses the novel Heir to the Glimmering World and the ways in which Cynthia Ozick draws on Judaism's midrashic heritage, asserting writing and representation as ethically charged acts capable of both creation and destruction. Using interviews and Ozick's considerable body of criticism, this essay maps Ozick's concept of art and creativity, situating Heir within Ozick's ongoing interrogation of art and imagination within the Jewish tradition.
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