穿越启示录:为日本和智利的儿童应对大规模灾难做好准备

IF 1.1 2区 社会学 Q2 ANTHROPOLOGY
Chika Watanabe
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引用次数: 1

摘要

让儿童为未来的灾难做好准备的趋势越来越大。一家日本非营利组织开发了一项名为Iza!Kaeru Caravan,其中包括教孩子和他们的家人如何在从地震到洪水的灾难中生存的游戏。许多来自其他国家的灾害专家和政府官员现在已经在自己的背景下实施了大篷车。基于日本和智利的民族志研究,本文展示了防灾中的有趣方法如何引导儿童,并通过代理他们的家人,接受世界末日的未来,帮助新自由主义国家争取时间。日本和智利的防灾倡导者承认,国家行为者不会立即前来救援。好玩的方法通过“仿佛”的虚拟工作动员儿童及其家人为自己的生存负责。好玩的准备方法模糊地定位在乐趣和教育之间,吸引了儿童和成年人的注意力——我称之为“专注游戏”——当他们框定和重新构建游戏以弄清楚“这是游戏吗?”最终,文章表明,专注游戏为国家暂时将其责任推给公民争取了时间,但游戏的模糊性也可能超过其意识形态效果。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
Playing through the Apocalypse: Preparing Children for Mass Disasters in Japan and Chile
There is a growing trend to prepare children for future disasters. A Japanese nonprofit organization has developed an event called Iza! Kaeru Caravan, which includes games that teach children and their families how to survive disasters, from earthquakes to floods. Many disaster experts and government officials from other countries have now implemented the Caravan in their own contexts. Based on ethnographic research in Japan and Chile, this article shows how playful methods in disaster preparedness orient children, and by proxy their families, to accept an apocalyptic future, helping the neoliberal state buy time. Advocates of disaster preparedness in Japan and Chile accept that state actors will not come immediately to the rescue. Playful methods mobilize children and their families to take responsibility for their own survival through the subjunctive work of the “as if.” Ambiguously positioned between fun and education, playful methods of preparedness command attention from children and adults—what I call “attentive play”—as they frame and reframe the games to figure out, “Is this play?” Ultimately, the article shows that attentive play buys time for the state to temporarily defer its responsibilities to citizens, but the ambiguity of play can also exceed its ideological effects.
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来源期刊
Public Culture
Public Culture Multiple-
CiteScore
2.10
自引率
6.70%
发文量
34
期刊介绍: Public Culture is a peer-reviewed interdisciplinary journal of cultural studies, published three times a year—in January, May, and September. It is sponsored by the Department of Media, Culture, and Communication, NYU. A four-time CELJ award winner, Public Culture has been publishing field-defining ethnographies and analyses of the cultural politics of globalization for over thirty years. The journal provides a forum for the discussion of the places and occasions where cultural, social, and political differences emerge as public phenomena, manifested in everything from highly particular and localized events in popular or folk culture to global advertising, consumption, and information networks. Artists, activists, and scholars, both well-established and younger, from across the humanities and social sciences and around the world, present some of their most innovative and exciting work in the pages of Public Culture.
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