屏幕之外:探索蒸汽音乐人的交际身份工作

IF 1.4 Q2 COMMUNICATION
Connor D. Wilcox, Cristin A. Compton
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引用次数: 0

摘要

摘要蒸汽波音乐家在匿名的掩护下创造超现实的音景的同时,他们也参与了复杂而人性化的身份工作过程。我们将身份传播理论(CTI)镜头应用于对18名自称蒸汽波音乐家的半结构化采访。基于蒸汽波音乐家的经历,我们的迭代定性分析表明,参与者不断地与个人身份、制定身份、关系身份和公共身份之间的摩擦作斗争。这项研究的贡献包括将CTI文献扩展到音乐亚文化的新领域,为理解数字社区中的身份提出了新的途径,并强调了生活参与者体验的重要性。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
Beyond the Screen: Exploring Vaporwave Musicians’ Communicative Identity Work
ABSTRACT While vaporwave musicians create surreal soundscapes from under the cover of anonymity, they also engage in complex and humanizing identity work processes. We applied a communication theory of identity (CTI) lens to semi-structured interviews conducted with 18 self-identified vaporwave musicians. Grounded in the experiences of vaporwave musicians, our iterative qualitative analysis revealed that participants constantly contend with friction between personal, enacted, relational, and communal identities. This study’s contributions include extending CTI literature into a new realm of music subculture, suggesting new avenues for understanding identity within digital communities, and emphasizing the importance of lived participant experiences.
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来源期刊
Communication Studies
Communication Studies COMMUNICATION-
CiteScore
3.70
自引率
6.20%
发文量
26
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