Traditional games and child-centred development: affirming disabled and female bodies in applied theatre projects in Zimbabwe

Traditional/indigenous children’s games are yet to be appreciated as sites of critical engagement. The limited available literature on traditional children’s games is mainly focused on the deployment of traditional games in the teaching of conventional curriculum subjects. On the other hand, applied theatre projects appear to mainly rely on ‘foreign’ games. Curiously, there seems to be bias towards theatre games from North America, South America and Western Europe. We concede that, to an extent, the deployment of foreign games has revolutionized and radicalized applied theatre practice in Zimbabwe. However, there is hardly any serious scholarship that examines implications of infusing traditional children’s games within gender and disability discourse for child-centred development. This article addresses the extent to which applied theatre practitioners may appropriate traditional children’s games in the quest to deploy theatre as a site of critical engagement against pervasive hegemonies such as masculinity, neo-colonialism and ableism that may impede on human-/child-centred development. Drawing from Africana Womanism and Critical Disability Theory, we argue that although currently few applied theatre practitioners are deploying traditional children’s games, there is scope for appropriating and contextualizing traditional games in subverting imposed ableist and gendered hegemonies. Applied theatre projects can offer space to recover the rich intangible heritage that is embodied in traditional games. Having established that indigenous African children’s games affirm the material body in general, we recognize the potential of applied theatre contexts to act as sites of taping from the wisdom of the past in order to invent the future in which Africa/Zimbabwean children are proud of their bodily realities as centres of human growth and self-construction.