#Soundart:社交媒体时代的当代音乐

IF 0.3 2区 艺术学 0 MUSIC
Annelies Fryberger, J. Besada, Zubin Kanga
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引用次数: 1

摘要

社交媒体被吹捧为许多东西:民主的力量,极端主义的教唆者,选举和情绪可以被操纵的地方,找工作的地方,把生活变成有市场的产品的方式,缓解孤独感或进一步跌入深渊的地方。音乐在这些平台上无处不在:它是为了其他目的而制作、分享、批评和操纵的。当代作曲家和当代音乐环境中的其他演员也不能免受社交媒体的影响,有些人积极利用社交媒体为自己创造形象,宣传自己的作品,或作为灵感来源。我们研究这个问题的目的是观察当代音乐界演员利用社交媒体的无数方式。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
@Newmusic #Soundart: Contemporary Music in the Age of Social Media
Social media have been touted as many things: a force for democracy, an abettor of extremism, a place where elections and emotions can be manipulated, a place to find a job, a way to transform one ’ s life into a marketable product, a place to ease the sting of loneliness or to descend further into the abyss. Music is omnipresent on these platforms: it is made, shared, critiqued, manipulated for other ends. Contemporary composers and other actors in the contemporary music milieu are not immune to the effects of social media, and some actively use it to create an image for themselves, promote their work, or as a source of inspiration. Our aim with this issue is to look at the myriad ways social media have been taken up by actors in the contemporary music world.
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来源期刊
CiteScore
1.00
自引率
25.00%
发文量
48
期刊介绍: Contemporary Music Review provides a forum for musicians and musicologists to discuss recent musical currents in both breadth and depth. The main concern of the journal is the critical study of music today in all its aspects—its techniques of performance and composition, texts and contexts, aesthetics, technologies, and relationships with other disciplines and currents of thought. The journal may also serve as a vehicle to communicate documentary materials, interviews, and other items of interest to contemporary music scholars. All articles are subjected to rigorous peer review before publication. Proposals for themed issues are welcomed.
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