{"title":"特邀艺术家-张欢","authors":"S. Levine","doi":"10.15212/CAET/2018/4/6","DOIUrl":null,"url":null,"abstract":"Creative Arts Educ Ther (2018) 4(1):58–65 \nDOI: 10.15212/CAET/2018/4/6 \n \n \n \nFeatured Artist - Zhang Huan \n艺术家聚焦：张洹 \nAbstract \nZhang Huan, 張洹; born 1965, is an internationally known contemporary Chinese artist whose work has been exhibited in numerous galleries and museums both in China and in the West. He is best known as a performance artist in the West, making pieces involving his own body and that of others and often subjecting them to extreme conditions. However, even during this period of his work, Zhang Huan has always tried to show spiritual being manifesting itself through bodily suffering. In recent years his artwork has taken a more obvious spiritual turn, using ash from temple incense and often referring to Buddhist themes and images expressing the transitory character of human life. \n摘要 \n张洹,生于1965年，是一位国际知名的中国当代艺术家，他的作品曾在中国和西方的众多画廊和博物馆展出。他对于西方最出名的是作为表演艺术家，经常通过让他自己和他人身体处于极端条件下，来创造作品。 然而，即使在他的这段工作期间，张洹也总是试图通过身体上的痛苦展示出精神上的主张。近年来，他的艺术作品采用了更加明显的精神转向，使用了寺庙香火中的灰烬，并经常提到佛教主题和表达人类生活短暂特征的意象。 \n关键词: 表演艺术, 身体, 精神存在, 生死, 佛教, 寺庙灰画, 中国传统和现代艺术, 拓展艺术边界, 艺术和政治, 质疑社会, 艺术和日常生活的界限","PeriodicalId":33525,"journal":{"name":"Creative Arts in Education and Therapy","volume":" ","pages":""},"PeriodicalIF":0.0000,"publicationDate":"2019-02-06","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":"0","resultStr":"{\"title\":\"Featured Artist - Zhang Huan\",\"authors\":\"S. Levine\",\"doi\":\"10.15212/CAET/2018/4/6\",\"DOIUrl\":null,\"url\":null,\"abstract\":\"Creative Arts Educ Ther (2018) 4(1):58–65 \\nDOI: 10.15212/CAET/2018/4/6 \\n \\n \\n \\nFeatured Artist - Zhang Huan \\n艺术家聚焦：张洹 \\nAbstract \\nZhang Huan, 張洹; born 1965, is an internationally known contemporary Chinese artist whose work has been exhibited in numerous galleries and museums both in China and in the West. He is best known as a performance artist in the West, making pieces involving his own body and that of others and often subjecting them to extreme conditions. However, even during this period of his work, Zhang Huan has always tried to show spiritual being manifesting itself through bodily suffering. In recent years his artwork has taken a more obvious spiritual turn, using ash from temple incense and often referring to Buddhist themes and images expressing the transitory character of human life. \\n摘要 \\n张洹,生于1965年，是一位国际知名的中国当代艺术家，他的作品曾在中国和西方的众多画廊和博物馆展出。他对于西方最出名的是作为表演艺术家，经常通过让他自己和他人身体处于极端条件下，来创造作品。 然而，即使在他的这段工作期间，张洹也总是试图通过身体上的痛苦展示出精神上的主张。近年来，他的艺术作品采用了更加明显的精神转向，使用了寺庙香火中的灰烬，并经常提到佛教主题和表达人类生活短暂特征的意象。 \\n关键词: 表演艺术, 身体, 精神存在, 生死, 佛教, 寺庙灰画, 中国传统和现代艺术, 拓展艺术边界, 艺术和政治, 质疑社会, 艺术和日常生活的界限\",\"PeriodicalId\":33525,\"journal\":{\"name\":\"Creative Arts in Education and Therapy\",\"volume\":\" \",\"pages\":\"\"},\"PeriodicalIF\":0.0000,\"publicationDate\":\"2019-02-06\",\"publicationTypes\":\"Journal Article\",\"fieldsOfStudy\":null,\"isOpenAccess\":false,\"openAccessPdf\":\"\",\"citationCount\":\"0\",\"resultStr\":null,\"platform\":\"Semanticscholar\",\"paperid\":null,\"PeriodicalName\":\"Creative Arts in Education and Therapy\",\"FirstCategoryId\":\"1085\",\"ListUrlMain\":\"https://doi.org/10.15212/CAET/2018/4/6\",\"RegionNum\":0,\"RegionCategory\":null,\"ArticlePicture\":[],\"TitleCN\":null,\"AbstractTextCN\":null,\"PMCID\":null,\"EPubDate\":\"\",\"PubModel\":\"\",\"JCR\":\"\",\"JCRName\":\"\",\"Score\":null,\"Total\":0}","platform":"Semanticscholar","paperid":null,"PeriodicalName":"Creative Arts in Education and Therapy","FirstCategoryId":"1085","ListUrlMain":"https://doi.org/10.15212/CAET/2018/4/6","RegionNum":0,"RegionCategory":null,"ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":null,"EPubDate":"","PubModel":"","JCR":"","JCRName":"","Score":null,"Total":0}
引用次数: 0
摘要
Creative Arts Education Therer (2018) 4 (1): 58-65 DOI: 10.15212/CAET/2018/4/6 Featured Artist - Zhang Huan Artist Focus: Zhang Huan Abstract Zhang Huan, Zhang Huan; Born 1965, is an internationally known contemporary Chinese artist who work has been exhibited in numerical galleries and museums both in China and in the West He is best known as a performance artist in the West, making pieces involving his own body and that of others and oftentimes subjecting them to extreme conditions How, even during this period of his work, Zhang Huan has always tried to show Spiritual Being Manifesting It Self Through Bodily Suffering In recent years his artwork has taken a more objective spiritual turn, using ash from sample license and oftentimes referring to Buddhist themes and images expressing the transient character of human life Abstract: Zhang Huan, born in 1965, is an internationally renowned contemporary Chinese artist whose works have been exhibited in numerous galleries and museums in China and the West. He is most famous for being a performing artist in the West, often creating works by subjecting himself and others to extreme physical conditions. However, even during this period of his work, Zhang Huan always attempted to demonstrate his spiritual stance through physical pain. In recent years, his art works have adopted a more pronounced spiritual turn, using ashes from temple incense and often mentioning Buddhist themes and images expressing the fleeting characteristics of human life. Keywords: performing arts, body, spiritual existence, life and death, Buddhism, temple gray painting, traditional and modern Chinese art, expanding artistic boundaries, art and politics, questioning society, boundaries between art and daily life
Creative Arts Educ Ther (2018) 4(1):58–65
DOI: 10.15212/CAET/2018/4/6
Featured Artist - Zhang Huan
艺术家聚焦：张洹
Abstract
Zhang Huan, 張洹; born 1965, is an internationally known contemporary Chinese artist whose work has been exhibited in numerous galleries and museums both in China and in the West. He is best known as a performance artist in the West, making pieces involving his own body and that of others and often subjecting them to extreme conditions. However, even during this period of his work, Zhang Huan has always tried to show spiritual being manifesting itself through bodily suffering. In recent years his artwork has taken a more obvious spiritual turn, using ash from temple incense and often referring to Buddhist themes and images expressing the transitory character of human life.
摘要
张洹,生于1965年，是一位国际知名的中国当代艺术家，他的作品曾在中国和西方的众多画廊和博物馆展出。他对于西方最出名的是作为表演艺术家，经常通过让他自己和他人身体处于极端条件下，来创造作品。 然而，即使在他的这段工作期间，张洹也总是试图通过身体上的痛苦展示出精神上的主张。近年来，他的艺术作品采用了更加明显的精神转向，使用了寺庙香火中的灰烬，并经常提到佛教主题和表达人类生活短暂特征的意象。
关键词: 表演艺术, 身体, 精神存在, 生死, 佛教, 寺庙灰画, 中国传统和现代艺术, 拓展艺术边界, 艺术和政治, 质疑社会, 艺术和日常生活的界限
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