敖德萨考古博物馆收藏的两块带有塔姆加斯的萨尔马西亚石板

S. Yatsenko
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引用次数: 0

摘要

根据一系列高质量的照片,对Kryvyi Rih和Gorgippia的萨尔马提亚石板上的坦加斯以及动物和男性图像进行了新的分析。这两块石板都是由自然形状的石头边缘凿成的;两者都被挖到地下,起到了迷你神殿的作用,可能位于圣地或定居点入口处。它们的大小相似,都涂成了红色,顶部都有一些祭祀凹槽(神圣的数字为3或7)。Kryvyi Rih的石板(图1-2)描绘了最早的大型标志(主要用于乌克兰西部和克里米亚的“野蛮人”地区),放置在一个有动物耳朵的神的头上(类似于奥塞梯的阿夫萨蒂)。后来的次要标志包括数量最多的下顿河和中亚(康居、Khorezm)坦加斯。此外,这里还发现了国王的标志(Khorezm的统治者——第9位,博斯普鲁斯海峡的提布留斯·朱利叶斯·尤帕托的共同统治者——第8位)。从公元1世纪初到公元3世纪中期,这种图像复合体一直在使用。Gorgypia石碑上的浮雕描绘了不同男人的五只手(图3)。有三只手拿着高脚杯和一个箭袋,箭袋前面有一条腰带(可能是英雄化的主题)。还有一只手举起祈祷,一只手递上箭袋。这三名参与者匹配了三个塔姆加斯(属于克里米亚的“野蛮人”地区)和顶部的三个祭祀凹陷。石板上的所有图像可能都是在公元2世纪中期后不久同时制作的。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
Two Sarmatian Stone Slabs with Tamgas in Odessa Archeological Museum Collections
Based on a series of high-quality photos, new analysis was performed for tamgas along with animal and male images on Sarmatian stone slabs from Kryvyi Rih and from Gorgippia. Both stone slabs were created as a result of natural shape stones edges chipping; both were dug into the ground and functioned as the mini-shrines located, probably, in sacred places or at the settlement entrances. They are similar in size, both painted red and both contain a number of sacrificial recesses at the top (in the sacred numbers 3 or 7). Slab from Kryvyi Rih (Figs. 1–2) depicts large earliest signs (mostly used on territories of Western Ukraine and the “barbarian” parts of Crimea) placed around the head of a god with animal ears (similar to the Ossetian Afsati). The later minor signs include the largest number of the Lower Don and the Central Asia (Kangju, Khorezm) tamgas. Also the signs of the kings found here (the ruler of Khorezm – no. 9, the co-ruler of Tiburius Julius Eupator of Bosporus – no. 8). The complex of images was in use since the beginning of the 1st until the middle of the 3rd centuries CE. Five hands of different men are depicted in relief on the stone slab from Gorgyppia (Fig. 3). There are three hands with goblets for making a contract and a quiver with a belt in front of them (probable heroization motif). There are also a hand raised for prayer and a hand passing a quiver. Those three participants match three tamgas (belonging to the “barbarian” regions of Crimea) and three sacrificial recesses at the top. All the images on the slab were probably made at the same time, shortly after the middle of the 2nd c. CE.
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来源期刊
Nizhnevolzhskii arkheologicheskii vestnik
Nizhnevolzhskii arkheologicheskii vestnik Arts and Humanities-Archeology (arts and humanities)
CiteScore
0.70
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0.00%
发文量
18
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