{"title":"经历后的纯真:赫里克的“奥伯龙宫”作为反墓志铭","authors":"W. Miller","doi":"10.1353/sip.2020.0004","DOIUrl":null,"url":null,"abstract":"Abstract:\"Oberon's Palace,\" one of Robert Herrick's fairy poems, offers unusual variations on topoi of virginity and matrimony. This article argues that the Herrick's poem is a \"counter-epithalamion,\" a genre combining the high sacred concerns of traditional epithalamia with lower nuptial forms, particularly fescennine verses. Herrick uses this hybrid genre to complex ends, at once satirizing the debauched sexuality of the Fairy King and his court and celebrating the cultural power of poetic artifice.","PeriodicalId":45500,"journal":{"name":"STUDIES IN PHILOLOGY","volume":"117 1","pages":"129 - 150"},"PeriodicalIF":0.3000,"publicationDate":"2020-01-15","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"https://sci-hub-pdf.com/10.1353/sip.2020.0004","citationCount":"0","resultStr":"{\"title\":\"Innocence after Experience: Herrick's \\\"Oberon's Palace\\\" as Counter-Epithalamion\",\"authors\":\"W. Miller\",\"doi\":\"10.1353/sip.2020.0004\",\"DOIUrl\":null,\"url\":null,\"abstract\":\"Abstract:\\\"Oberon's Palace,\\\" one of Robert Herrick's fairy poems, offers unusual variations on topoi of virginity and matrimony. This article argues that the Herrick's poem is a \\\"counter-epithalamion,\\\" a genre combining the high sacred concerns of traditional epithalamia with lower nuptial forms, particularly fescennine verses. Herrick uses this hybrid genre to complex ends, at once satirizing the debauched sexuality of the Fairy King and his court and celebrating the cultural power of poetic artifice.\",\"PeriodicalId\":45500,\"journal\":{\"name\":\"STUDIES IN PHILOLOGY\",\"volume\":\"117 1\",\"pages\":\"129 - 150\"},\"PeriodicalIF\":0.3000,\"publicationDate\":\"2020-01-15\",\"publicationTypes\":\"Journal Article\",\"fieldsOfStudy\":null,\"isOpenAccess\":false,\"openAccessPdf\":\"https://sci-hub-pdf.com/10.1353/sip.2020.0004\",\"citationCount\":\"0\",\"resultStr\":null,\"platform\":\"Semanticscholar\",\"paperid\":null,\"PeriodicalName\":\"STUDIES IN PHILOLOGY\",\"FirstCategoryId\":\"1085\",\"ListUrlMain\":\"https://doi.org/10.1353/sip.2020.0004\",\"RegionNum\":3,\"RegionCategory\":\"文学\",\"ArticlePicture\":[],\"TitleCN\":null,\"AbstractTextCN\":null,\"PMCID\":null,\"EPubDate\":\"\",\"PubModel\":\"\",\"JCR\":\"0\",\"JCRName\":\"LANGUAGE & LINGUISTICS\",\"Score\":null,\"Total\":0}","platform":"Semanticscholar","paperid":null,"PeriodicalName":"STUDIES IN PHILOLOGY","FirstCategoryId":"1085","ListUrlMain":"https://doi.org/10.1353/sip.2020.0004","RegionNum":3,"RegionCategory":"文学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":null,"EPubDate":"","PubModel":"","JCR":"0","JCRName":"LANGUAGE & LINGUISTICS","Score":null,"Total":0}
Innocence after Experience: Herrick's "Oberon's Palace" as Counter-Epithalamion
Abstract:"Oberon's Palace," one of Robert Herrick's fairy poems, offers unusual variations on topoi of virginity and matrimony. This article argues that the Herrick's poem is a "counter-epithalamion," a genre combining the high sacred concerns of traditional epithalamia with lower nuptial forms, particularly fescennine verses. Herrick uses this hybrid genre to complex ends, at once satirizing the debauched sexuality of the Fairy King and his court and celebrating the cultural power of poetic artifice.
期刊介绍:
Founded in 1903, Studies in Philology addresses scholars in a wide range of disciplines, though traditionally its strength has been English Medieval and Renaissance studies. SIP publishes articles on British literature before 1900 and on relations between British literature and works in the Classical, Romance, and Germanic Languages.