惊奇、恐怖、神秘:马力克、冯·提尔和Kieślowski关于电影和宗教的信件

IF 0.3 2区艺术学 0 FILM, RADIO, TELEVISION

New Review of Film and Television Studies Pub Date : 2022-04-03 DOI:10.1080/17400309.2022.2066948

M. S. Johnson

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引用次数: 0

摘要

未来:“20世纪80年代约翰·休斯青少年电影中的社会阶级和个人主义”是本部分和卷中的佼佼者。布尔曼的这一章受到社会学的影响，涉及美国社会的两个主要价值观，个人主义和阶级。这些主题突出地出现在休斯的青少年电影中，以及作为一个整体的类型，Bulman指出“要理解青少年电影的总体，我们必须首先理解休斯的贡献”(222)。布尔曼接着说:

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Wonder, horror, mystery: letters on cinema and religion in Malick, Von Trier, and Kieślowski

future:” Social Class and Individualism in the 1980s Teen Films of John Hughes,’ is a stand-out within this section and volume. Bulman’s sociologically-inflected chapter engages with two prime values within American society, individualism and class. These themes prominently surface in Hughes’ teen films, and the genre as a whole, with Bulman noting that ‘to understand teen films in general, we must first understand Hughes’s contribution’ (222). Bulman goes on to remark:

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来源期刊

New Review of Film and Television Studies FILM, RADIO, TELEVISION-

CiteScore

0.50

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0.00%

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