西开普省高等教育机构对南非黑人口音的负面态度和看法

IF 0.2 0 THEATER
L. Seekoe, C. Uwah
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引用次数: 0

摘要

在南非高等教育机构的戏剧系中,存在着对南非黑人口音的负面态度和看法。目的是了解在开普敦大学(UCT)戏剧系和南非电影媒介与现场表演学院(AFDA)接受演员培训的经历。研究方法是定性设计,抽样方法是有目的的。入选标准考虑了至少会说英语以外的一种南非语言的参与者。换言之,研究人员从恩古尼语族(伊西祖鲁语、伊西科萨语、西斯瓦蒂语、伊西恩德贝勒语)和班图语族(塞索托语、北索托语或塞佩迪语、塞茨瓦纳语)中挑选了南非黑人原住民。排除标准考虑了在UCT或AFDA注册的任何人,或者已经毕业并获得这些机构的学位证书的人。研究人员使用Tesch分析方法对数据进行了分析。这项研究传达了忽视南非黑人真实声乐能力的声乐训练大纲的影响。参与者的经历表明,他们对在南非大学戏剧系的语音训练大纲中磨练和鼓励南非黑人口音缺乏兴趣。研究得出的结论是,南非大学的声音训练大纲更加强调和关注英国和美国口音,并鼓励接受训练的黑人演员用这些口音表演。参与者表示,由于这次训练,他们觉得没有准备好表演带有南非黑人口音的角色。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
Negative attitudes and perceptions of black South African accents in higher education institutions of the Western Cape Province
There is a negative approach and perception of the black South African accent in Drama Departments of higher education institutions in South Africa. The purpose was to discover the experiences of being an actor-in-training at a Drama Department at the University of Cape Town (UCT) and The South African School of Motion Picture Medium and Live Performance (AFDA). The research method was a qualitative design, and the sampling method was purposive. The inclusion criteria considered participants who could speak at least one South African language other than English. In other words, the researcher selected black South African natives from the Nguni language groups (isiZulu, isiXhosa, Siswati, isiNdebele) and Bantu language groups (Sesotho, Northern Sotho or Sepedi, Setswana). The exclusion criteria considered anyone registered at UCT or AFDA or already graduated with a degree certificate from those institutions. The researcher analysed the data using the Tesch analysis method. The study has communicated the effects of a voice-training syllabus that ignores authentic black South African vocal abilities. The participants’ experiences have shown a lack of interest in honing and encouraging black South African accents in the voice-training syllabus at Drama Departments in South African universities. It was concluded that there is more emphasis and attention given to British and American accents in the voice-training syllabus in South African universities and that black actors-in-training are encouraged to perform in these accents. The participants expressed that they do not feel prepared to perform characters with black South African accents because of this training.
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