重新构想一个佛教大都市:将大理石佛像从缅甸运送到中国,19世纪90年代至30年代

Q1 Arts and Humanities
Beiyin Deng
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引用次数: 0

摘要

在晚清和民国时期,关于中国和东南亚佛教联系的讨论,往往符合佛教现代主义的元叙事,强调中国内外的高僧和改革倡议的轨迹。通过对中国和缅甸档案的研究,以及对中国寺庙和博物馆的实地考察,本文调查了19世纪90年代至30年代中国佛教徒将大理石佛像从缅甸运送到中国的努力,这是佛教流动的一个分支,在跨地区佛教相互联系的研究中很少受到关注。它考察了对大理石的迷恋(在汉语中被称为玉石/白玉)如何激发了这些努力,以及这些图标如何通过帮助他们以精神上和物质上有意义的方式将缅甸定位在佛教世界中,从而塑造了中国佛教徒对发展中的佛教世界的看法。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
Reimagining a Buddhist Cosmopolis: Conveying Marble Buddhas from Burma to China, 1890s-1930s
Discussions about Buddhist connections between China and Southeast Asia in the late Qing and Republican periods often conform to a meta-narrative of Buddhist modernism that emphasizes the trajectories of eminent monks and reformative initiatives in and beyond China. Drawing on research on archives in China and Myanmar (Burma) and field visits to temples and museums in China, this article investigates the efforts to convey marble Buddhas from Burma to China by a broad spectrum of Chinese Buddhists from the 1890s to 1930s as a strain of Buddhist mobility that has receive scant attention in the studies of transregional Buddhist interconnectivities. It examines how the fascination with marble, which is vernacularly categorized as jade/white jade in Chinese, motivated such endeavors and how these icons shaped the perception of a developing Buddhist cosmopolis among Chinese Buddhists by helping them locate Burma in the Buddhist world in a spiritually and materially meaningful way.
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来源期刊
Journal of Global Buddhism
Journal of Global Buddhism Arts and Humanities-Religious Studies
CiteScore
0.90
自引率
0.00%
发文量
8
审稿时长
12 weeks
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