超越学科:口语作为参与性艺术研究

Helen F. Johnson
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引用次数: 0

摘要

对许多人来说,艺术和科学站在一个不可逾越的鸿沟的两端:科学,僵化、客观、系统和权威;艺术,流动的,主观的,动态的和多变的。然而,这些领域之间进行富有成效的对话和相互联系的历史由来已久。以艺术为基础的研究代表了一种特别丰富的艺术/科学互动形式。本文将诗歌、理论讨论和实证研究交织在一起,以证明口语诗歌是一种基于艺术的探究方法,可以提供一种完全不同的研究方式、存在方式和合作方式。关于“合作诗学”的创新方法和青年俚语/口语教育工作者的工作,我认为社会科学家和口语从业者可以从彼此的工具、技术和思维方式中学到很多东西,创造新的知识形式,重新定义受众/作者关系,促进“关键韧性”,使个人在逆境中保持坚韧,并通过这种方式挑战导致这种逆境的条件。因此,本文考虑了口语作为一种参与性的诗歌探究如何使参与者、研究人员和诗人能够应对当代生活的关键复杂性和挑战。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
Beyond Disciplines: Spoken Word as Participatory Arts-based Research
For many, the arts and sciences stand at opposite ends of an unbridgeable divide: the sciences, rigid, objective, systematic and authoritative; the arts, fluid, subjective, dynamic and capricious. Yet, there is a long history of productive dialogue and interconnection between these fields. Arts-based research represents a particularly fertile form of arts/science interaction. This paper interweaves poetry, theoretical discussion and empirical research to make the case for spoken word poetry as an arts-based method of inquiry that can provide a radically different way of doing, being and collaborating in and through research. With reference to the innovative method of ‘collaborative poetics’ and to the work of youth slam/spoken word educators, I argue that social scientists and spoken word practitioners can learn much from one another’s tools, techniques and ways of thinking, creating new forms of knowledge, redefining the audience/author relationship, and facilitating a ‘critical resilience’ which enables both individual fortitude in the face of adversity and a means through which to challenge the conditions that give rise to this adversity. The paper thus considers how spoken word as participatory poetic inquiry enables participants, researchers and poets to address the critical complexities and challenges of contemporary life.
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