我们“既不是克罗地亚人,也不是伊利里亚人,更不是斯拉夫人,而是‘皇家拓荒者’”。关于八月的边界现象Šenoa和Miroslav Krleža

IF 0.1 0 HUMANITIES, MULTIDISCIPLINARY
Milka Car
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引用次数: 0

摘要

文学文本除了提供描述的能力之外,还展示了构建现实的潜力,本文将重点放在由克罗地亚权威作家August Šenoa和Miroslav Krleža撰写的精选叙事或散文诗和诗歌文本上。本文的重点是奥匈帝国各种边界现象的论证和文学表现(Šenoa),以及它们在第一次世界大战后的后帝国时代的逐渐变化(Krleža)。通过挑战帝国关于军事边界的叙述,19世纪末和20世纪初奥斯曼人的形象,以及与之相关的国家性和同质化话语,这篇文章分析了对边界理解的一些变化及其意识形态含义,特别是关于边界被解释为旨在将自我与他者分开的不可能的努力这一论点。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
We “were neither Croatians, nor Illyrians nor Slavs, but ‘imperial royal frontiersman’”. On the phenomenon of the border in August Šenoa and Miroslav Krleža
Departing from the thesis that literary texts, in addition to their capacity to provide description, also demonstrate potential for construing reality, this paper focuses on the selected narratives, or essayistic and poetological texts written by the canonical Croatian authors August Šenoa and Miroslav Krleža. The paper focuses on the demonstration and literary representation of various border phenomena in the Austro-Hungarian Empire (Šenoa) and their gradual change in the post-imperial age following the Great War (Krleža). By challenging the imperial narrative about the Military Frontier, the image of the Ottomans in the late 19th and early 20th centuries as well as the associated national and homogenizing discourses infused by the processes of Othering, the article analyses a number of variations in the understanding of the border and their ideological implications with special regard to the thesis that borders are construed as impossible endeavours aiming to separate the Self from the Other.
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来源期刊
Ars & Humanitas
Ars & Humanitas HUMANITIES, MULTIDISCIPLINARY-
CiteScore
0.40
自引率
0.00%
发文量
1
审稿时长
16 weeks
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