音乐治疗师对创伤教育和知识的可及性探索

Pub Date : 2023-04-04 DOI:10.1093/mtp/miad005
Christopher Beach
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引用次数: 0

摘要

美国社会中有相当数量的儿童和成人遭受过暴力、边缘化、偏见或其他创伤经历。因此,帮助专业人员必须有足够的培训和资源来识别和应对创伤的迹象、症状和风险。像其他帮助专业人士一样,音乐治疗师越来越多地被要求认识到创伤对他们所服务的社区的影响,但人们对音乐治疗师的知识和对创伤概念的认识却知之甚少。一项调查被分发给了美国所有获得委员会认证的音乐治疗师,旨在检查与创伤有关的教育和专业培训的可及性,以及与经历过创伤的服务使用者一起工作的自我认知能力。在分发的8,602封电子邮件(CBMT)中,收到了958份不同的回复,其中945份同意参与,回复率为10.9%。结果显示,音乐治疗师对创伤工作有很大的兴趣(88.04%);然而,几乎一半的受访者(48.86%)表示,由于某种原因缺乏这些培训,导致他们在创伤工作中的自我认知能力有限。这种在创伤工作中自我感知能力的限制可能是由于音乐治疗师缺乏一致的教育和培训而存在的,无论教育模式如何。如果不解决这个行业的差距,可能会对那些使用音乐治疗服务的人造成伤害。提供了综合音乐治疗师创伤特定知识的细分,以及确定的创伤概念兴趣领域。
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An Exploration of Accessibility to Trauma-Focused Education and Knowledge Among Music Therapists
A substantial number of children and adults in American society have been exposed to violence, marginalization, prejudice, or other traumatic experiences. Thus, it is imperative that those in helping professions have adequate training and resources to recognize and respond to the signs, symptoms, and risks of trauma. Like other helping professionals, music therapists are increasingly called to recognize the impact trauma can have on the communities they serve, but little is known about music therapists’ knowledge and awareness of trauma concepts. A survey was distributed to all board-certified music therapists in the United States that sought to examine the accessibility of educational and professional trainings related to trauma, as well as self-perceived competency in working with service users who have experienced trauma. Of the 8,602 emails distributed (CBMT), 958 different responses were returned, 945 of which consented to participate for a 10.9% response rate. Results indicated a substantial interest in trauma work among music therapists (88.04%); however, almost half of respondents (48.86%) have indicated a lack of access to these trainings for any given reason, leading to limited self-perceived competency in trauma work. This limitation in self-perceived competency in trauma work might exist due to a lack of consistent education and training provided to music therapists, regardless of the mode of education. By not addressing this gap in the profession, harm might be done to those who utilize music therapy services. A breakdown of conglomerate music therapist trauma-specific knowledge is provided, along with identified areas of trauma-concept interest.
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