论年轻人参与艺术中的故事叙述:故事中的空白,凯瑟琳·海因迈耶著

Q1 Arts and Humanities
Rachel R Hedman
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引用次数: 0

摘要

讲故事一直是一种教育工具。Catherine Heinemeyer在《与年轻人一起参与式艺术中的故事讲述:故事中的差距》一书中追溯了“讲故事”长达一个世纪的演变,即故事成为知识的方式。有意与年轻人合作的教育工作者、心理健康顾问和讲故事的人看到了不同的叙事世界交织在一起。Heinemeyer探讨了青少年讲故事的潜力,并关注听众、讲故事者和故事之间传统三角关系中的差距。这些差距包括从听众到讲故事者、从讲故事者到故事者以及从故事到听众的发生和互动。尽管几十年来,年轻人的许多特殊需求没有发生重大变化,但Heinemeyer建议,通过社交媒体和可访问的技术工具,今天的年轻人已经扩大了讲述自己故事的能力,并向同龄人和成年人展示自己。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
On Storytelling in Participatory Arts with Young People: The Gaps in the Story, by Catherine Heinemeyer
Storytelling has long been an educational tool. In Storytelling in Participatory Arts with Young People: The Gaps in the Story, Catherine Heinemeyer traces the century-long evolution of “storyknowing,” the way stories become knowledge. Educators, mental health counselors, and storytellers who purposely work with youth see different narrative worlds interweave. Heinemeyer addresses the potential of storytelling with and by adolescents and focuses on the gaps within the traditional triangular relationship between listener, storyteller, and story. These gaps include the happenings and interactions from listener to storyteller, from storyteller to story, and from story to listener. While many of the particular needs of youth have not changed significantly over the decades, Heinemeyer proposes that through social media and accessible technological tools to make, today’s youth have expanded capabilities to tell their stories and to represent themselves to peers and adults.
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来源期刊
Storytelling, Self, Society
Storytelling, Self, Society Arts and Humanities-Literature and Literary Theory
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0.50
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