{"title":"玛格丽特丈夫的个人悼念","authors":"Sydney Anglo","doi":"10.3366/drs.2022.0371","DOIUrl":null,"url":null,"abstract":"And I am most fortunate in having to hand a photograph taken only five days after Margaret and I first met. It is a pity that Jacquot, who did so much to establish Renaissance court festivals as an extraordinarily rich field of scholarly enquiry, does not appear in the photo, but there are compensations for those with a taste for the history of scholarship. Margaret McGowan with her husband Sydney Anglo after receiving her CBE in 1998. [Extracted from the article]","PeriodicalId":42392,"journal":{"name":"Dance Research","volume":" ","pages":""},"PeriodicalIF":0.3000,"publicationDate":"2022-11-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":"0","resultStr":"{\"title\":\"A Personal Tribute from Margaret’s Husband\",\"authors\":\"Sydney Anglo\",\"doi\":\"10.3366/drs.2022.0371\",\"DOIUrl\":null,\"url\":null,\"abstract\":\"And I am most fortunate in having to hand a photograph taken only five days after Margaret and I first met. It is a pity that Jacquot, who did so much to establish Renaissance court festivals as an extraordinarily rich field of scholarly enquiry, does not appear in the photo, but there are compensations for those with a taste for the history of scholarship. Margaret McGowan with her husband Sydney Anglo after receiving her CBE in 1998. [Extracted from the article]\",\"PeriodicalId\":42392,\"journal\":{\"name\":\"Dance Research\",\"volume\":\" \",\"pages\":\"\"},\"PeriodicalIF\":0.3000,\"publicationDate\":\"2022-11-01\",\"publicationTypes\":\"Journal Article\",\"fieldsOfStudy\":null,\"isOpenAccess\":false,\"openAccessPdf\":\"\",\"citationCount\":\"0\",\"resultStr\":null,\"platform\":\"Semanticscholar\",\"paperid\":null,\"PeriodicalName\":\"Dance Research\",\"FirstCategoryId\":\"1085\",\"ListUrlMain\":\"https://doi.org/10.3366/drs.2022.0371\",\"RegionNum\":3,\"RegionCategory\":\"艺术学\",\"ArticlePicture\":[],\"TitleCN\":null,\"AbstractTextCN\":null,\"PMCID\":null,\"EPubDate\":\"\",\"PubModel\":\"\",\"JCR\":\"0\",\"JCRName\":\"DANCE\",\"Score\":null,\"Total\":0}","platform":"Semanticscholar","paperid":null,"PeriodicalName":"Dance Research","FirstCategoryId":"1085","ListUrlMain":"https://doi.org/10.3366/drs.2022.0371","RegionNum":3,"RegionCategory":"艺术学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":null,"EPubDate":"","PubModel":"","JCR":"0","JCRName":"DANCE","Score":null,"Total":0}
And I am most fortunate in having to hand a photograph taken only five days after Margaret and I first met. It is a pity that Jacquot, who did so much to establish Renaissance court festivals as an extraordinarily rich field of scholarly enquiry, does not appear in the photo, but there are compensations for those with a taste for the history of scholarship. Margaret McGowan with her husband Sydney Anglo after receiving her CBE in 1998. [Extracted from the article]
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