声音跨界:克里斯汀·乔根森在《性感的我们》中的演唱

IF 0.5 4区 社会学 0 HUMANITIES, MULTIDISCIPLINARY
E. David
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引用次数: 0

摘要

摘要:本文提出了分析“声音跨性别”的案例,以此来理解在种族化的跨性别主体建构中声音的性别部署。通过仔细阅读克里斯汀·约根森在1962年菲律宾电影《我们是性感的》中的声乐表演,包括自传体独白、名人模仿以及用英语和他加禄语表演的歌曲,本文考察了约根森的声音和声音实践在她作为一个全球性的、有抱负的、,以及世界性的白人跨性别者。与此同时,通过倾听她的声音在更广泛的跨性别历史中逐渐消失的方式,本文对约根森在菲律宾的表现的关注,让人们可以听到全球从跨性别和性别不合的声音中产生和提取价值。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
Sonic Transness: Christine Jorgensen's Vocal Performance in Kaming Mga Talyada (We Who Are Sexy)
Abstract:This essay presents the case for the analytic of "sonic transness" as a way to understand the gendered deployment of voice in the construction of racialized transgender subjectivities. Through a close reading of Christine Jorgensen's vocal performance in the 1962 Philippine film Kaming Mga Talyada (We Who Are Sexy), which includes autobiographical monologue, celebrity impersonations, and songs performed in English and Tagalog, this essay examines the place of Jorgensen's voice and sonic practices in her self-constitution as a global, aspirational, and cosmopolitan white trans subject. At the same time, by listening to the ways in which her voice fades in and out of broader trans histories, this essay's focus on Jorgensen's performance in the Philippines makes audible the global production and extraction of value from trans and gender-nonconforming voices.
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来源期刊
AMERICAN QUARTERLY
AMERICAN QUARTERLY HUMANITIES, MULTIDISCIPLINARY-
CiteScore
0.80
自引率
0.00%
发文量
58
期刊介绍: American Quarterly represents innovative interdisciplinary scholarship that engages with key issues in American Studies. The journal publishes essays that examine American societies and cultures, past and present, in global and local contexts. This includes work that contributes to our understanding of the United States in its diversity, its relations with its hemispheric neighbors, and its impact on world politics and culture. Through the publication of reviews of books, exhibitions, and diverse media, the journal seeks to make available the broad range of emergent approaches to American Studies.
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