{"title":"超自然的爱的光环(从阿波罗尼奥·德·蒂亚到卡洛斯·富恩特斯)","authors":"José Ricardo Chaves","doi":"10.19130/iifl.ap.2021.2.18125","DOIUrl":null,"url":null,"abstract":"In this essay the comparative follow-up of the motive of the dis / encounter of lovers belonging to different ontological fields (life / death, wakefulness / sleep), expressed in fantastic figures such as empusas, ghosts and vampires is carried out. The starting point is a story of Apollonius of Tiana according to the text of Philostratus, which was recovered by Goethe in The Bride of Corinth, taken up by 19th century authors such as Théophile Gautier and Amado Nervo, and reworked by Carlos Fuentes in the 20th century, in his novel Aura, with the addition of an 18th century Japanese author, Ueda Akinari, who wrote stories along these lines.","PeriodicalId":42007,"journal":{"name":"Acta Poetica","volume":null,"pages":null},"PeriodicalIF":0.2000,"publicationDate":"2021-06-22","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":"1","resultStr":"{\"title\":\"Aura de amor sobrenatural (de Apolonio de Tiana a Carlos Fuentes)\",\"authors\":\"José Ricardo Chaves\",\"doi\":\"10.19130/iifl.ap.2021.2.18125\",\"DOIUrl\":null,\"url\":null,\"abstract\":\"In this essay the comparative follow-up of the motive of the dis / encounter of lovers belonging to different ontological fields (life / death, wakefulness / sleep), expressed in fantastic figures such as empusas, ghosts and vampires is carried out. The starting point is a story of Apollonius of Tiana according to the text of Philostratus, which was recovered by Goethe in The Bride of Corinth, taken up by 19th century authors such as Théophile Gautier and Amado Nervo, and reworked by Carlos Fuentes in the 20th century, in his novel Aura, with the addition of an 18th century Japanese author, Ueda Akinari, who wrote stories along these lines.\",\"PeriodicalId\":42007,\"journal\":{\"name\":\"Acta Poetica\",\"volume\":null,\"pages\":null},\"PeriodicalIF\":0.2000,\"publicationDate\":\"2021-06-22\",\"publicationTypes\":\"Journal Article\",\"fieldsOfStudy\":null,\"isOpenAccess\":false,\"openAccessPdf\":\"\",\"citationCount\":\"1\",\"resultStr\":null,\"platform\":\"Semanticscholar\",\"paperid\":null,\"PeriodicalName\":\"Acta Poetica\",\"FirstCategoryId\":\"1085\",\"ListUrlMain\":\"https://doi.org/10.19130/iifl.ap.2021.2.18125\",\"RegionNum\":0,\"RegionCategory\":null,\"ArticlePicture\":[],\"TitleCN\":null,\"AbstractTextCN\":null,\"PMCID\":null,\"EPubDate\":\"\",\"PubModel\":\"\",\"JCR\":\"N/A\",\"JCRName\":\"LITERARY THEORY & CRITICISM\",\"Score\":null,\"Total\":0}","platform":"Semanticscholar","paperid":null,"PeriodicalName":"Acta Poetica","FirstCategoryId":"1085","ListUrlMain":"https://doi.org/10.19130/iifl.ap.2021.2.18125","RegionNum":0,"RegionCategory":null,"ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":null,"EPubDate":"","PubModel":"","JCR":"N/A","JCRName":"LITERARY THEORY & CRITICISM","Score":null,"Total":0}
引用次数: 1
摘要
本文对属于不同本体场域(生/死、醒/睡)的恋人的分离/相遇的动机进行了比较跟踪,这些本体场域表现为幻想人物,如empusas、ghosts和vampires。故事的起点是根据菲洛斯特拉图斯(Philostratus)的文本讲述的提亚那的阿波罗尼乌斯的故事,歌德在《科林斯的新娘》(The Bride of Corinth)中找到了这个故事,19世纪的作家如thacomophile Gautier和Amado Nervo采用了这个故事,20世纪的卡洛斯·富恩特斯(Carlos Fuentes)在他的小说《光环》(Aura)中进行了改编,并加入了一位18世纪的日本作家上田秋成(Ueda Akinari),他写了类似的故事。
Aura de amor sobrenatural (de Apolonio de Tiana a Carlos Fuentes)
In this essay the comparative follow-up of the motive of the dis / encounter of lovers belonging to different ontological fields (life / death, wakefulness / sleep), expressed in fantastic figures such as empusas, ghosts and vampires is carried out. The starting point is a story of Apollonius of Tiana according to the text of Philostratus, which was recovered by Goethe in The Bride of Corinth, taken up by 19th century authors such as Théophile Gautier and Amado Nervo, and reworked by Carlos Fuentes in the 20th century, in his novel Aura, with the addition of an 18th century Japanese author, Ueda Akinari, who wrote stories along these lines.
期刊介绍:
Acta Poética es una revista semestral, arbitrada y de acceso abierto (open-access), que publica artículos, notas, entrevistas y reseñas originales y traducidas, escritas principalmente en español y otras lenguas. Nuestra publicación pertenece al Centro de Poética del Instituto de Investigaciones Filológicas de la Universidad Nacional Autónoma de México. El propósito de Acta Poética es ofrecer una plataforma intelectual para los estudiosos de instituciones nacionales y extranjeras y, con ello, aportar reflexiones sustantivas al estudio de la literatura, la crítica literaria y la teoría crítica, sobre aspectos de la literatura y otras expresiones culturales. Nuestra revista está dirigida a estudiosos de la literatura y otras disciplinas relacionadas con arte, cultura y sociedad. El contenido de Acta Poética refleja la diversidad de las líneas de investigación del Centro de Poética, en el marco inter y multidisciplinario de la teoría crítica: mito, semántica, semiótica, deconstrucción, artes visuales, retórica, poética, teoría de la recepción, hermenéutica, crítica literaria, literatura comparada, estudios culturales, misticismo, filología, el impacto de las nuevas tecnologías en el discurso, historia de la literatura, cine, fotografía, arquitectura, artes escénicas, música y su relación con otras disciplinas como la filosofía, la historia, la sociología y la teoría política. Actualmente, la revista se publica en formato impreso y digital.