模仿模式:工人阶级圣方济各会的时尚服饰,1880-95

IF 0.1 0 ART
Laura L. Camerlengo
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引用次数: 0

摘要

19世纪末,美国女性的时尚服装从大量当代来源中汲取灵感,从女性期刊上的时尚版到缝纫图案和成衣。正如Joan Severa在其开创性的著作《为摄影师着装:普通美国人与时尚,1840–1900(1995)》中所详述的那样,当时的摄影棚照片准确地展示了美国工薪阶层如何在材料、合身度和穿着方面重新诠释高级时尚,以满足他们的特殊需求和生活方式。最近在一次房地产拍卖会上发现的一张肖像专辑展示了塞维拉的论文,这篇文章结合报纸和其他地方的当代时尚报道、社会历史和旧金山工薪阶层的人口统计,对这张专辑进行了仔细的研究。作为一项重点区域案例研究,它深入了解了特定地点和时间的着装规范,迄今为止,时尚学者很少对此进行研究。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
Mimicking the Mode: The Fashionable Dress of Working-Class San Franciscans, 1880–95
In the late nineteenth century, the fashionable garments of women in the United States drew inspiration from the abundance of contemporary sources available to them, ranging from fashion plates in women’s periodicals to sewing patterns and ready-to-wear clothing. As Joan Severa details in her seminal book Dressed for the Photographer: Ordinary Americans and Fashion, 1840–1900 (1995), studio photographs from the time demonstrate precisely how high fashion was reinterpreted by working-class Americans in terms of materials, fit, and wear to suit their particular needs and lifestyles. One portrait album recently discovered at an estate sale illustrates Severa’s thesis, and this article offers a close examination of the album in tandem with contemporary fashion coverage in newspapers and elsewhere, social history, and demographics specific to working-class San Francisco. A focused regional case study, it offers insight into dress codes at a particular place and time that have to date been little studied by fashion scholars.
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CiteScore
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