{"title":"路á面试实习生:世纪的哲学家","authors":"Wolfgang Müller-Funk","doi":"10.1556/044.2022.00184","DOIUrl":null,"url":null,"abstract":"György Lukács is an intellectual ‘heavyweight’ of that century which, since Eric Hobsbawm, we have called a short one, although the years from 1900 to 1914 and from 1989 to 2000 do not fit into the picture of a century that was defined by war and civil war, by ideological trench warfare, by the Shoah and the Gulag, by the Cold War and decolonisation, by new art forms and media. With his early books The Soul and the Forms and his Theory of the Novel, he made an enduring contribution to aesthetic modernity; with History and Class Consciousness, his first work in the footsteps of Hegel and Marx, he made a pioneering attempt to place Marxism on philosophical feet and, like Antonio Gramsci or Karl Korsch, to correct the theoretically non-ambitious, Darwinian-influenced Marxism of the last quarter of the 19th century. It is seen in this essay as a work of discontinuity in continuity.","PeriodicalId":35072,"journal":{"name":"Hungarian Studies","volume":" ","pages":""},"PeriodicalIF":10.4000,"publicationDate":"2023-03-06","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":"0","resultStr":"{\"title\":\"Lukács: Philosoph eines Jahrhunderts\",\"authors\":\"Wolfgang Müller-Funk\",\"doi\":\"10.1556/044.2022.00184\",\"DOIUrl\":null,\"url\":null,\"abstract\":\"György Lukács is an intellectual ‘heavyweight’ of that century which, since Eric Hobsbawm, we have called a short one, although the years from 1900 to 1914 and from 1989 to 2000 do not fit into the picture of a century that was defined by war and civil war, by ideological trench warfare, by the Shoah and the Gulag, by the Cold War and decolonisation, by new art forms and media. With his early books The Soul and the Forms and his Theory of the Novel, he made an enduring contribution to aesthetic modernity; with History and Class Consciousness, his first work in the footsteps of Hegel and Marx, he made a pioneering attempt to place Marxism on philosophical feet and, like Antonio Gramsci or Karl Korsch, to correct the theoretically non-ambitious, Darwinian-influenced Marxism of the last quarter of the 19th century. It is seen in this essay as a work of discontinuity in continuity.\",\"PeriodicalId\":35072,\"journal\":{\"name\":\"Hungarian Studies\",\"volume\":\" \",\"pages\":\"\"},\"PeriodicalIF\":10.4000,\"publicationDate\":\"2023-03-06\",\"publicationTypes\":\"Journal Article\",\"fieldsOfStudy\":null,\"isOpenAccess\":false,\"openAccessPdf\":\"\",\"citationCount\":\"0\",\"resultStr\":null,\"platform\":\"Semanticscholar\",\"paperid\":null,\"PeriodicalName\":\"Hungarian Studies\",\"FirstCategoryId\":\"1085\",\"ListUrlMain\":\"https://doi.org/10.1556/044.2022.00184\",\"RegionNum\":0,\"RegionCategory\":null,\"ArticlePicture\":[],\"TitleCN\":null,\"AbstractTextCN\":null,\"PMCID\":null,\"EPubDate\":\"\",\"PubModel\":\"\",\"JCR\":\"Q1\",\"JCRName\":\"ENGINEERING, CHEMICAL\",\"Score\":null,\"Total\":0}","platform":"Semanticscholar","paperid":null,"PeriodicalName":"Hungarian Studies","FirstCategoryId":"1085","ListUrlMain":"https://doi.org/10.1556/044.2022.00184","RegionNum":0,"RegionCategory":null,"ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":null,"EPubDate":"","PubModel":"","JCR":"Q1","JCRName":"ENGINEERING, CHEMICAL","Score":null,"Total":0}
引用次数: 0
摘要
György Lukács是那个世纪的知识分子“重量级人物”,自Eric Hobsbawm以来,我们称之为短暂的一个世纪,尽管从1900年到1914年以及从1989年到2000年的这几年并不符合战争和内战、意识形态堑壕战、Shoah和Gulag、冷战和非殖民化、新艺术形式和媒体所定义的世纪。他的早期著作《灵魂与形式》和《小说论》对审美现代性作出了不可磨灭的贡献;《历史与阶级意识》是他继黑格尔和马克思之后的第一部作品,他开创性地尝试将马克思主义置于哲学的基础上,并像安东尼奥·葛兰西或卡尔·科尔施一样,纠正19世纪最后四分之一理论上不具野心、受达尔文主义影响的马克思主义。在这篇文章中,它被看作是一部连续性中的不连续性作品。
György Lukács is an intellectual ‘heavyweight’ of that century which, since Eric Hobsbawm, we have called a short one, although the years from 1900 to 1914 and from 1989 to 2000 do not fit into the picture of a century that was defined by war and civil war, by ideological trench warfare, by the Shoah and the Gulag, by the Cold War and decolonisation, by new art forms and media. With his early books The Soul and the Forms and his Theory of the Novel, he made an enduring contribution to aesthetic modernity; with History and Class Consciousness, his first work in the footsteps of Hegel and Marx, he made a pioneering attempt to place Marxism on philosophical feet and, like Antonio Gramsci or Karl Korsch, to correct the theoretically non-ambitious, Darwinian-influenced Marxism of the last quarter of the 19th century. It is seen in this essay as a work of discontinuity in continuity.
期刊介绍:
Hungarian Studies intends to fill a long-felt need in the coverage of Hungarian studies by offering an independent, international forum for original papers of high scholarly standards within all disciplines of the humanities and social sciences (literature, philology, ethnology, folklore, musicology, art history, philosophy, history, sociology, etc.) pertaining to any aspects of the Hungarian past or present. In addition, every issue will carry short communications, book reviews and miscellaneous information - all features of interest to the widening audience of Hungarian studies. Publishes book reviews and advertisements.