创造(在)北极:通过北极黑色系列《薄冰》的案例研究调查合作和地点

IF 0.9 2区 艺术学 0 FILM, RADIO, TELEVISION
Anders Grønlund
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引用次数: 0

摘要

瑞典/冰岛联合制作的系列片《冰雪奇缘》(2020)提供了对北欧北极地区目前生产的可能性和挑战以及发展中的格陵兰电影行业的参与的深入了解。通过广泛的屏幕行业和位置驱动的方法分析屏幕外和屏幕上的元素,探索性案例研究说明了一个地区和屏幕行业的发展以及不断变化的生产实践。此外,文章还强调了多民族、多语言的北极地区高端电视剧的地理位置和文化特殊性的感知价值。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
Creating (in) the Arctic: Investigating collaboration and location through a case study of the Arctic noir serial Thin Ice
The Swedish/Icelandic coproduced serial Tunn is [Thin Ice] (2020) offers an insight into current possibilities and challenges of production in the Nordic Arctic region and the involvement of the developing Greenlandic screen industry. By analysing both off- and on-screen elements through a broad screen industry and location-driven approach, the explorative case study illustrates both a region and a screen industry in development as well as changing production practices. Furthermore, the article highlights the perceived value of location and cultural specificity in high-end TV drama from the multi-ethnic and multi-lingual Arctic region.
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来源期刊
Critical Studies in Television
Critical Studies in Television FILM, RADIO, TELEVISION-
CiteScore
2.10
自引率
30.00%
发文量
70
期刊介绍: Critical Studies in Television publishes articles that draw together divergent disciplines and different ways of thinking, to promote and advance television as a distinct academic discipline. It welcomes contributions on any aspect of television—production studies and institutional histories, audience and reception studies, theoretical approaches, conceptual paradigms and pedagogical questions. It continues to invite analyses of the compositional principles and aesthetics of texts, as well as contextual matters relating to both contemporary and past productions. CST also features book reviews, dossiers and debates. The journal is scholarly but accessible, dedicated to generating new knowledge and fostering a dynamic intellectual platform for television studies.
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